Comedy Quotes
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Comedy wasn't something I chose - it chose me. I was just inherently funny when I was a kid.
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The entire New York comedy scene has moved to L.A. - it's bled the New York comedy scene dry.
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Tina Fey is part of a generation of women who have changed the face of comedy at 'Second City,' 'SNL,' in sitcoms and in film.
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I never analyze stuff with comedy because it's boring. It makes you stop being funny. Just be who you are and do what you do, and you're either funny or you're not.
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Comedy is one area that it's - it's all around me in my house.
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The continuum had somehow managed to correct the incongruity, pairing off lovers like the last act of a Shakespearean comedy, though just how it had managed it wasn’t clear. What was clear was that it had wanted us out of the way while it was doing whatever it was doing. So it had done the time-travel equivalent of locking us in our rooms.
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When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
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What's fun about comedy is you're pushing things a little further than you would in a drama; you're pushing reality a little bit more.
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I'd always been quite wary of doing a romantic comedy. They all seem the same to me.
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I'd have to say that my favorite kind of film is serious comedy. Comedy with serious underpinning. 'Little Miss Sunshine' is like that. That's my fave genre, if I had to pick one.
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The connection between pathos and broad comedy is very tight. But you do far more work in a comedy scene than you do in a straight scene. It's much harder.
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I started doing little amateur nights at the comedy club that was right next to the restaurant that I waitressed in when I was in university. I was probably 22 years old. I didn't do it with any intention of making a career out of it; I had just always valued comedy.
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I really think if you take away a character's obstacles then there's no comedy.
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Some fast food places, they have that ketchup pump. It's like a keg. They give you the paper shot glass. I always like to hang around there, try and meet the ladies. "Here, I'll pump for you. You come to this Wendy's often? My roommate and I, we got a pony pump back at my dorm. Here's an extra shot "
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Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.
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What I do is not regional comedy, and it is not based in the southern area.
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People ask me if I have comedy writers, and I'm like, 'Are you kidding me?'
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People wouldn't hire me for comedies. They would say, 'Oh, he doesn't do comedy,' and now it's really all I do.
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I've always tended to write comedy, but I'd hate to just write some kind of sitcom or a lighthearted series of jokes and slapstick. I wanted to talk about some deeper things within the comedy.
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I've always wanted to be in comedy... growing up with Asian parents and not seeing yourself represented in media - it was always just a daydream.
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My idea as far as comedy goes has always been to push the limits of what's acceptable for a woman to do or say or be. My hero in that would be Lenny Bruce, who teaches us that words have no meaning. It's the intent behind them that is what's important.
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Dad had a music store, and he'd often bring home comedy albums that I would listen to. I started listening to Bob Newhart and Bill Cosby, and developing taste. They really influenced my style of comedy.
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It's funny, because I was trained as a dramatic actor at New York's Colonnades Theater Lab in the '70s, along with Jeff Goldblum, Danny DeVito and Rhea Perlman. People I worked with there saw a comedian in me. I'm still most at home in comedy.
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When I watch a comedy that's just hitting you over the head with jokes constantly, some really hit, but if they miss, you're like, 'Eh.'