Penelope Wilton Quotes
You don't go to a comedy and try to laugh. You laugh in spite of yourself. You don't just come on stage and cry. Something has pushed you to cry.
Quotes to Explore
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I started getting really interested in comedy when I was in middle school.
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I would like to play an average guy. I would have loved to play opposite John Candy in a movie. That was my dream for a long time, and sadly, now I can never realize that. But I'd like to do comedy.
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I actually love doing comedy!
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I am trying to do comedy on every single medium. I consider myself a public servant.
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The problem, when comparing contemporary television to television in 1974, is that TV has become not just bad but sad.
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First off, no one award-wise ever rewards comedy, which is... whatever. I don't care about that.
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I love doing sitcoms. I love doing comedy. I love the whole shooting match.
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Comedy's really subjective, you know.
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We try to keep a good line of communication open with our children. It's not always about trying to just teach them every moment, but it's about listening to them and trying to understand them and gain that sense of communication so when they need to talk to someone, they know that we're there.
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I like that whole cop-comedy type of drama.
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Our records, if you have a dark sense of humor, were funny, but our records weren't about comedy. They were about protests, fantasy, confrontation and all that.
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My comedy doesn't come from any calculations and studies.
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I'd love to do a comedy; that's the one thing I haven't done yet that I really, really want to do.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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I wanted to be less well-known in comedy.
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I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
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There's an audience out there for all these different types of things. Whether it's comedy, motion-picture drama, family movie or a cool, cutting-edge indie, it's nice to know that I can span all those different genres.
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I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
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When I write, I talk about stories and things that are happening in my life. I come from the church. There was a time in my life when I actually had that transformation and relationship with God.
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While I would agree that I write about serious subjects, and that they're not necessarily the most pleasant subjects or even the most pleasant people, as a writer I just think about the humorous aspects of these things - that's what keeps me going when I'm writing a story.
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In 1979, I moved to England and photographed Joy Division and Bowie and Beefheart. At that time I got images that I felt had that special, well - power is a big word to say - more like intimacy and ambition that outlasted the photo shoot. I felt that they would have a longer life.
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What's endlessly complicated in thinking about women's gymnastics is the way that vulnerability and power are threaded through the sport.
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You don't go to a comedy and try to laugh. You laugh in spite of yourself. You don't just come on stage and cry. Something has pushed you to cry.
