Feedback Quotes
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When we were making 'Arrested Development,' it was the hardest thing I'd ever done. You know, nobody was watching. We weren't getting feedback. The job wasn't paying very well. But the one thing I did feel confident about was: No one will ever be able to do this again. Because no one would be stupid enough to try.
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Our mission is to help people discover and support great journalism. But something like Blendle, asking micropayments for journalism, hasn't been done before on this scale and with our broad support from media companies. So we want to do it well and listen very carefully to the feedback of our users first. That feedback from the early community is very important to us.
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It takes humility to seek feedback. It takes wisdom to understand it, analyze it and appropriately act on it.
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One of the great things about being recognized is that you receive this feedback from people. It is easy to see how sincere people are. It's nothing fake or jive. They're giving sincere appreciation. And it's not that easy to express.
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You're not just writing in a vacuum, and then handing it over to someone else to shoot. You're writing, and then getting feedback from the actor and hearing their voice and how they play things.
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If you can make it so that I could touch somebody remotely through a wearable because it has haptic feedback - like, I could give a hug and it would touch you or pinch you - that would be killer.
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The feedback that I get from my association with Gomez is heartwarming. It is very difficult for me to take anything but a positive view of the Gomez phenomenon.
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Create a minimal viable product or website, launch it, and get feedback.
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It is nice to get feedback and stuff on Twitter and from fans and everything, but to get that respect from my peers means the world to me.
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Women can also be creative in total isolation. I know excellent women artists who do original work without any response to speak of. Maybe they are used to lack of feedback. Maybe they are tougher.
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People didn't feel so much shame around it and that they didn't feel so much humiliation around it. And the other thing that people have given me a lot of feedback about - something I'm very excited about - is all the stuff around chemo as an "empathetic warrior."
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But, people are recognizing me more. Sometimes fans just approach me on the street and say how much they love the show. It's great to get that kind of feedback.
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Guitar players get inward and analytical about their playing but when you start to get positive feedback from other players it makes you think that it is coming together.
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Our teachers deserve better feedback.
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The best feedback is what we don't want to hear.
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Your writing is still yours, no matter what the contract or your editor might say. Trust your gut. It knows when you're screwing up. Your brain will lie to you. It loves the paycheck, it loves positive feedback. Your gut is under no obligation to make you feel good.
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Recording can be enjoyable, but the hard thing is that you don't get any direct or immediate feedback like you do when you play live. Getting to see people's excitement and see them engage in the show makes me excited to get back out and play.
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We are told to value ourselves without feedback, but if nobody is making a pass at you or trying to take you to Bermuda, how are you supposed to feel? Confident?
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The key to learning is feedback. It is nearly impossible to learn anything without it.
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Everyone wants to be loved, generally. If you released a record and nobody said anything, if you didn't get any feedback from people you don't know, i.e. the press, you'd be sort of upset. To me, any press is good press.
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I discovered early on that some performers live their life in order to act, so all their relationships are simply an experience that they can feed back into their work. Which I find vampiric.
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Paying attention to the present moment without letting your thoughts and ideas about the past and the future get in the way is essential. Why? Because it makes room for the views of others. It allows us to begin to trust them—and, more important, to hear them. It makes us willing to experiment, and it makes it safe to try something that may fail. It encourages us to work on our awareness, trying to set up our own feedback loop in which paying attention improves our ability to pay attention. It requires us to understand that to advance creatively, we must let go of something. As the composer Philip Glass once said, “The real issue is not how do you find your voice, but … getting rid of the damn thing.
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That's the weirdest thing about television for me is that you're getting feedback in the middle of the work.
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I always think that some percentage of feedback is going to be gendered in comedy.
