Feedback Quotes
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I believe in accessibility. I believe in honesty and a culture that supports that. And you can't have that if you're not open to receiving feedback.
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There is nothing to compare with the instantaneous feedback a singer gets from the people sitting in front of him. That is where it all comes together - all the rehearsing and working to get everything just exactly right.
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No one reads my books until they're finished because I don't want feedback. It confuses me, and it changes things; if I get too much feedback, I get thrown off my path.
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Negative feedback can make people feel inferior.
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I posted chapters online and let people give feedback, and I was surprised at how much of that feedback I actually used for the book.I posted chapters online and let people give feedback, and I was surprised at how much of that feedback I actually used for the book. It was a different process for me, but I liked it.
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When you're playing live, those people who you're trying to please and reach, they're right there giving you feedback. And you don't get that feedback in the studio.
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The show [ Too Much Tuna] changed a lot, actually, which is risky when you get positive critical feedback.
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Technically, the search committee's work is completed once the feedback on this week's activity has been provided to the president.
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I believe with faith all is possible. An answer to prayer is greatest positive feedback you can get.
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It's important to travel and move and have a continual set of experiences so you've got more to feed back into your work. For me, it's a natural thing.
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I'll see what kind of feedback I get, but after the first two plays of contact, I forgot about it. It isn't 100 percent completely healed, but it's not bad enough to slow me down. I should be a lot further along in a couple of weeks, come playoff time.
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I love Twitter. Twitter for me is twofold. I can use it to get out important information about charity stuff and where Im going to be, and I can get feedback from the audience which I love.
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I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.
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The flow of action continually produces consequences which are unintended by actors, and these unintended consequences also may form unacknowledged conditions of actions in a feedback fashion. Human history is created by intentional activities but is not an intended project; it persistently eludes efforts to bring it under conscious direction.
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I think when I dropped The Eulogy is when it became more [about] feedback because that's when Pitchfork wanted to review it and things like that.
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Ask for feedback from people with diverse backgrounds. Each one will tell you one useful thing. If you're at the top of the chain, sometimes people won't give you honest feedback because they're afraid. In this case, disguise yourself, or get feedback from other sources.
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We know that negative reinforcement or punishment works well for behavior that should be eliminated. And we know from feedback theory that the best kind of feedback is descriptive because the client can then make the evaluation. These are valid guidelines but they don’t solve some of the subtle issues that can arise in the relationship.
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Musicians today have gotten used to Protools, which I hate. You can go into the studio and not even be a musician, just start beating on stuff and they can take parts out of it, move it around and then you can sound like Slash. If you want some kind of weird feedback effect in the middle of a guitar solo, now they can just fly it in. You don't have to sit there and work at it like you did back in the day.
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“The one secret to changing human behavior? Feedback Loops”
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Music is one of those art forms that you can get pretty immediate feedback by just doing it and getting better at it.
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Don’t try to plan everything out to the very last detail. I’m a big believer in just getting it out there: create a minimal viable product or website, launch it, and get feedback.
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I could hunker down by myself and listen closely to mixes, but then to be able to have a sounding board of peers to get advice and feedback.
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Until recently, over 98 percent of teachers just got one word of feedback: Satisfactory. If all my bridge coach ever told me was that I was 'satisfactory,' I would have no hope of ever getting better.
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Regardless of any feedback. I love being a solo artist and having creative control. But it can be very nourishing and informative and flex very different creative muscles to work for someone else. You are essentially employed by the director. I love the challenge of that.
