Doing Quotes
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It so happens, in Malaysia, the people who are in a way not doing as well constitute the majority of the people - the Bumiputeras.
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A lot of jazz artists think people should like what they're doing just because it's jazz. I don't buy that.
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I like to go with the energy because when you ignore it that's when you start doing things wrong.
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Like, they know that I have a habit of rubbing my earlobes, I've been doing it since I was two.
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Here in America we're doing the most wonderful crafts.
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Congress seems to be very good at doing nothing.
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I love doing what I do. I love asking questions. I love being in the mix.
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The New England conscience doesn't keep you from doing what you shouldn't - it just keeps you from enjoying it.
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You can have the greatest player in terms of mastering an instrument and you could be yawning your head off when you hear them. So, it's not what you do, but the way you're doing it and in the end that's all that we have.
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I don't know what I'm meant to do. I'm not important, am I? I'm not doing anything that makes a difference.
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We see North Koreans as automatons, goose-steeping at parades, doing mass gymnastics with fixed smiles on their faces - but beneath all that, real life goes on with the same complexity of human emotion as anywhere else.
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I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.
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You know when you see those guys and their sideburns are just a little too high? You don't need to have sideburns, but don't have to have them right above the ear. I knew a guy that did that in high school and I was like, 'What are you doing? Just let them down a little.'
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Most experiences are either sensual or intellectual. Chamber music, played by a small group so the listener can follow what each player is doing, is both.
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I love doing costumes. The costume is an actor's first line, so it's gotta be right!
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I've only been doing this fifty-four years. With a little experience, I might get better.
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If I was doing 'The Hunt' constantly, I would get very old, very fast.
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Doing 'Kingsman' is such hard work. It's so physical and demanding.
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I see genres as generating sets of rules or conventions that are only interesting when they are subverted or used to disguise the author's intent. My own way of doing this is to attempt a sort of whimsical alchemy, whereby seemingly incompatible genres are brought into unlikely partnerships.
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We're certainly interested in maximizing our return and doing it - we're interested in maximizing our return, but we're also interested in doing it over a long period of time and in doing it in a way that never endangers the firm from a survivability standpoint.
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It's not that I'm opposed to doing a big-budget action movie. But it has to be the right project.
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The way I like to work is to attach personal experiences to what I'm doing, so it helps tremendously if I can write my own play under what the writer has written.
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I don't like doing most things unless I can do them quite well.
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Singing and being truthful to a song... I've developed that skill, and I know how to do that real instinctively, that's all I've been doing for the last 25 years.
