Movie Quotes
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It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.
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I start with the music before I start writing the movie. It's such an important part for me, emotionally, to set up the tone for the movie.
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I have a rule now that I can only watch a movie twice. By the third time I was watching 'The Guest,' I was hating everything about it, but the first time, I loved it. The first time you watch it, you watch it as a whole. And the second time, I think you can learn a lot. By the third time, you are just picking everything apart.
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Just as people in zombie apocalypses seem never to have seen a zombie apocalypse movie, so people in novels about the pioneering days of time travel never seem to have read novels on the subject.
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Visiting Lucerne is like going to Disneyland: You can't imagine that it is real because it looks like a movie lot.
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[On refusing to do nude movie scenes:] There are certain people who should know what you look like naked. I just don't think your high-school algebra teacher should be one of them.
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I adore going to movie sets and being part of a team trying to create something. And yet, I hate to miss even one bedtime with my girls. . . My sisters both are working mothers. I understand that my being an actress as well as being at home isn't some heroic thing. That doesn't mean it isn't confusing or difficult--especially that question of how you find a balance.
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I don't know a single person that's like, ''Avatar' is my favorite movie.' It never even comes up. I don't know anyone that will defend that movie.
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What makes a movie now is a package, a brand, a remake or some preexisting material.
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I'm not just saying this because I'm in the movie, but I really would recommend 'Secretariat.' It's fun, inspiring, and it's a great movie to take your little kids, brothers, sisters, or nieces and nephews to see that actually has real people in it and not animated characters.
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When you make a movie, you do it so piecemeal. You're doing it, not only scene by scene, out of order, but shot by shot, line by line. And there's this idea that the director has the whole thing in his or her head and they're going to somehow weave it all together in the end.
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My dad had a huge movie collection. So we all had a good sense of entertainment history. I was a Jack Lemmon fan more than most people from my generation.
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Like every other 13-year-old in America, she's in love with Leonardo DiCaprio, who I think is an androgynous wimp. You know what he does throughout the whole movie Titanic? He smokes.
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'Sabotage' was an opportunity. That was journeyman work, but the irony is I learned more off that movie on what filmmaking is and isn't than everything else combined. A lot of lessons, and it will impact me for the rest of my career.
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Almost any movie, no matter how original, is borrowing from some other movies.
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When you're watching a movie and find yourself getting emotional, it's because you're bringing something personal to the images. It's the same thing with acting. You're bringing the essence of your core emotional being to that moment.
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In the time since I've done 'Bad Teacher,' I've produced an independent movie and directed two pilots. So I love to do all different types of things.
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When Bruce Lee gets his cameo in 'The Green Hornet' - as one of the drawings in Kato's notebook - it clarifies what the film is: an unrealized sketch. A sketch can afford to allude to a point of view. Moviemakers need to show their point of view, something this shrug of a movie never gets around to doing.
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There's been a bit of confusion about Showscan. The basic problem was, it was film and it was 70 mm and it was a lot of it, so the negative cost was very high, the print costs were very high, and it also required conversion of the projectors and theaters and a lot of costs. I just couldn't get any traction in the theatrical movie industry to do it.
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I want to produce the music to a movie that I'm working on, like what Prince did with 'Purple Rain.'
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When I was young and it was someone's birthday, I didn't have the money to buy nice presents so I would take my mom's camera and make a movie parody for whoever's birthday it was. When I'd show it them, they'd die laughing. That reaction was a high for me, and I loved that feeling.
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What we love about working at Marvel is they'll have a crazy opening for a movie like 'The Avengers' - like, a record-breaking all-time opening - and you get to the office on Monday, and they don't even have a pizza; it's back-to-work time.
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I'm not in the movie business anymore, and hardly any 70 year olds are. I always ask the producers: 'Are there no 70-year old vampires?' Apparently there are not - or even zombies for that matter. I guess they all get eaten.
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I think there's really only been one successful video game adaptation, and that was probably 'Tomb Raider.' Whether or not you thought it was a good movie, it was successful financially.
