Movie Quotes
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The key to a good horror movie is what happens between the scares. The scares aren't the tricky part. If you're involved in what's going on in between, the scare is going to trick you. If you're not, the best scare in the world will not be scary.
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I'm proud of 'Miracle at St. Anna' and I loved it; there's no question in my mind it's as good as any movie that came out in 2007.
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The concept of making a movie in which the director dictates is kind of exotic - and absolutely not truthful. Directing means allowing a great deal of collaboration and listening and having the ability to change your mind.
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I'm not a very efficient filmmaker. There's a lot of guys, filmmakers like the Coen Brothers who shoot a whole movie and maybe don't use 12 setups. I'm in awe of people like that; I'm just not that guy.
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I love other movies that have been made since, but I think more than any comic book movie, 'Superman' just totally seemed to capture superheroes in ways that others have not.
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I wasn't a kid who moved out from Iowa with aspirations of becoming a famous star - I was intrigued by the idea of filmmaking and by the idea of what it would be like to play a character in a movie.
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I didn't like Jaya's Hazaar Chaurasi ki Ma, though I did like her performance. I felt the movie was too verbose. I thought why did they have to make a film? They could have simply written an article.
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'Scary Movie' has lost its way as a franchise. It has turned into 'Disaster Film' and 'Epic Movie' and 'Date Movie' and that isn't what I wanted. I wanted to do a movie that was just grounded in a reality that went to crazy places.
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When I'm creating characters, I definitely think of theme songs. Writing for me is very visual, so I sometimes think of it in terms of a movie with a soundtrack, and try to transfer that to words.
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I used to watch 'Coming to America' every day after school. I have full-on long-running inside jokes with friends and family about different scenes in that movie alone. Also, my brother and I loved 'The Golden Child,' so, yeah: I was a huge fan of Eddie Murphy growing up.
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With any child entering adolescence, one hunts for signs of health, is desperate for the smallest indication that the child's problems will never be important enough for a television movie.
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In horror movies, you can write music that if it was performed on the concert stage would have the audience running out of the room with their fingers in their ears. But in a movie, all of a sudden it becomes incredibly accessible and appreciated.
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As much as I love creating entertaining visuals, I love toying with the pace of a movie and trying to perfect that. It's imperative to the impact: faster cuts, cuts at the right moments that meld with the tenor of a scene. Creating and maintaining that feeling.
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Nobody makes a movie about a woman in her mid-30s who wishes she could have met someone to have children with and still doesn't know where to find a date.
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I always prefer the big laugh. That is always the objective, especially with a film like Scary Movie 2.
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When I started writing, I was reading people such as Tom Clancy or Michael Crichton, who did 'Jurassic Park,' which is possibly the most action-filled book you'll read, apart from mine, and I said to myself, 'Why aren't these guys doing big-scale action like you would see in a movie?'
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I can't believe I actually was in my own movie.
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A very high bar has been set with Robert Downey in 'Iron Man.' That idea was, find the best actor for the part, regardless of whether they've been in a movie like this before.
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I did a few movies, but the word 'star'... I cannot compare to a star like Clint Eastwood. I used to call Clint 'Larry Dickman' when he would come to my show; then, he started using the name when he would go under cover in a 'Dirty Harry' movie. That's why he's a movie star... he's so creative.
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I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else.
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I've never had an actual haunting experience, in the way you might anticipate a ghost in a movie haunting someone, but I do feel presences around me all the time, and I do feel that memories haunt us the way ghosts haunt us or might haunt characters in a film.
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Right before 'The Bourne Identity' came out, I hadn't been offered a movie in a year.
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The whole idea with acting is that you take some risks. And if you take some risks, you're really going to mess up sometimes. But it's not OK to mess up a movie; it's not OK to do that just so you can improve as an actor. But film-making takes a little bit of risk in every department.
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I was living in Florida working as a model and got my first acting job there in the movie 'Wild Things.' I thought it was sort of cool and decided to do some training.
