Movie Quotes
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I actually like older horror movies more than newer ones because when I'm watching newer ones, like 'Chucky' or 'Saw' or whatever, I'm like, 'Come on, really, this isn't even good, all it is is blood and knives.' I like when it has a story line, you know? When it's actually a movie.
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It's a clique and I think a clique exists in every business. There's a circle of people that are guaranteed to open a movie and we all know their names and whether they're right or wrong for the role.
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I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn.
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I certainly did not envisage making a Disney movie. The most I hoped for was to be able to pay my bills. I was not a go-getter. I was very type-B.
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Actually just recently I came up with that idea, watching the movie 'Legally Blonde' and I was like, 'Cool, that's something I want to do.'
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Conception of a film starts with the music. Always. I hear the movie before I can ever write it. I would say that 80% of the time, that's the successful stuff. It's the other stuff I have to work for to get right, and sometimes it doesn't work out, but the music is always the beginning. So I'm still a music journalist.
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I've never set out to write a funny movie or be a funny comedian as a woman. I am a woman. I don't really have a choice in the matter. My goal is just to be funny.
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'The Desolation of Smaug' stands alone as an action/adventure epic movie. It's visually stunning, and the 3D is incredible. Plus, it's directed by Peter Jackson, and he's extraordinary.
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I got my SAG card on my first movie, 'Goin' South,' with Jack Nicholson in 1978.
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There's a look people get in their eyes when you're talking to them and they're not seeing you, and you know it's because they have a movie running through their head.
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There seems to be such a laziness in - and I hate to use this phrase - the modern world. Everything is pumped out so quickly so that you can read it while passing by, like billboards or those flashcards before movie shows.
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We are cannibalizing our audience by only giving them regurgitated material. Every movie is either a remake, a sequel, based on something else. Based on a former television series. Based on a successful videogame.
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I'll decide to do a movie and then go oh, like "Twilight" fans are probably going to react to this or whatever. But that's always an afterthought. Like I don't plan things out based on other people's opinions of how like I think they're going to receive them. I do it like for the experience.
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I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.
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I just like The Little Mermaid cartoon. Say what you want. I have a fish tank, it's a long story. I have a fascination with the ocean, and you put a hot chick in there, it just adds more to it! I liked The Little Mermaid. It's a cool movie. It's one of those I watch over and over again.
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A metaphysical tour de force of untethered meaning and involuting interlocking contrapuntal rhythms, 'The Clock' is more than a movie or even a work of art. It is so strange and other-ish that it becomes a stream-of-consciousness algorithm unto itself - something almost inhuman.
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Slashing its way to the finish line, 'Black Swan' is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
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You'd see those movie stars on the screen, and say, 'I want to be that guy.'
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The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere.
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I went to see Oliver Stone's 'Heaven & Earth,' which I thought was a wonderful movie, but I walked out because I was so moved. It was too painful to watch.
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Having gotten TV shows on the air, that's so much less work that trying to get the 'Veronica Mars' movie made.
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'The Book of Love' is the kind of James L. Brooks mainstream movie that the majors are ignoring.
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It's hard for me to sit still. Now if you'll sit me in front of a great old movie, I'll sit still, because I love that, too.
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There's an indie movie I did called 'Fat Kid Rules the World,' which was based on a teen book, and it's a fabulous story, and hopefully it'll go to theaters because it is an amazing story.
