Movie Quotes
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It was a lot of fun on the set. I had the most fun making that movie out of all of them. I'm sure if I sat and thought about it, but none that I could think of offhand.
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You are only an actor if you absolutely love it and can not do anything else. Starving for your art is great in your 20s, but it's not so great at 35. It has to be absolute love. You can't worry about being a movie star or anything else. Just love. That's it.
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As an actor you have to have a strong vivid imagination as you're working and when the camera's rolling, but there's certainly a part of you that is aware of real life, that you're making a movie.
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If I find something and feel as though I can contribute to [it] in a way and feel I'm in it, whatever that means, I'm expressing something that I feel is a way to exercise my talent and help communicate a role as a human being in a movie, I will do that.
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No one can stop me from talking about my movie.
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I'll be giving a speech at the randomest place, like a bank or something, and a guy in a suit will say, 'I'm totally freaked out that I'm talking to the girl from 'Cremaster.' For the rest of my life, that movie will be playing in a museum somewhere. I never could have expected that huge response.
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I think that what we were doing with the live musical version of 'Shrek' was taking the ideas and the structure of the movie and not necessarily reinventing it but reimagining it. It is a very different medium to perform.
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I cannot state enough how important post-production is for the success of a horror movie. You bring so much to it with the way you edit it, the way it is sound-designed, and the way the music works with it.
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The major studios are by and large banks, and they give you what is by and large a loan to make a movie. Like banks, they want their money back plus.
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As soon as people see my face on a movie screen, they knew two things: first, I'm not going to get the girl, and second, I'll get a cheap funeral before the picture is over.
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Writing a book is like masturbation, and making a movie is like an orgy.
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I've been asked to do surfing movies over the years and offered several opportunities. I just felt that if I were to do one, I'd have to do the perfect surfing movie. And I don't know if that exists because surfing is such a personal thing.
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There's really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?
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When I'm not on T.V. or working on a movie, I'm on the road doing stand-up. That's my roots.
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It definitely has learning a lesson about the way you're living your life. I wouldn't compare our movie to that, but it has a structure where it's about a man who doesn't appreciate all that he has and finds out at the end that life has been great and he has to enjoy that.
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I'm never so into the three-act movie thing. I know that's the form that people talk about, but it seems to me, in the movie, you just have to keep charging forward. You couldn't start over again like you do after an intermission. You just had to keep the plot moving forward.
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I have a daughter who's 11 years old. Maybe she'll grow up independent and really really heavy and become a movie star and she'll play me in my life story.
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There are all kinds of things evolving in filmmaking I'm not sure I'm comfortable with. A friend of mine just showed me an immersive 360 movie where you move from environment to environment and can look in any direction you want while you're experiencing it. Which is cool - but it kills directing, as far as I'm concerned.
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When you are interviewing refugees, each person you talk to has a different story that could come from a horror movie. So many people talk about seeing their families get murdered before their eyes. Then I go to Central Park, and people are talking about their third divorce and paying tuition.
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I once dealt with a prima donna on a movie set. I won't say who, but his first name is a country. A communist country. Run by Fidel Castro.
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Back in the '70s, like one of my favorite movies ever was 'The Bad News Bears', and that was a kids' movie, but I don't think of it that way. I think of it as just a great movie because Walter Matthau was so funny and so harsh with those kids.
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If a movie requires the lead actor to spend a good chunk of his onscreen time talking to himself, and Popeye is unavailable because of contractual disputes, it's hard to do better than Johnny Depp.
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There are certainly moments in the story room where you watch the movie die on the table. You put A next to B, and suddenly none of it lines up anymore. We feel that all the time. It's a terrible feeling.
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When you do one movie at a time, if one goes crazy and becomes successful, your life changes. But you can step back and catch your breath.
