Movie Quotes
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When you look at a movie, you look at a director's thought process.
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I've always lived out of a suitcase. I was in a new city every three months. When I was a model, I traveled the world, and as an actor you're traveling from movie set to movie set. So I've never been in one place long enough for anything super-bad to happen.
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I certainly don't like to play a bad guy. There are no bad people. It's only shades of grey. Also, I am not a great actor who can transform completely into a totally different character for a movie. I am not a trained actor.
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In TV, when you come in to direct an episode, you are effectively learning an established language; you then have to try to learn to speak it really well. But on a movie, you are the guy. You are creating the language; you make most of the decisions.
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When I was young and it was someone's birthday, I didn't have the money to buy nice presents so I would take my mom's camera and make a movie parody for whoever's birthday it was. When I'd show it them, they'd die laughing. That reaction was a high for me, and I loved that feeling.
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I am inspired just by the way a scene can be interpreted by the actors. It can make a huge difference on the type of music that you write. It's best for me if I don't work at all on a project until the movie is shot and I have some sort of edit in front of me.
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There's really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?
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'The Book of Love' is the kind of James L. Brooks mainstream movie that the majors are ignoring.
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I see similarities in the sports I played growing up in the sense of how I tackle a role when I get a job. A lot of effort goes in on an individual basis. There is a lot of time spent by yourself working on your craft and what you have to do. But, at the end of the day, you're there to serve the movie just like you would the rugby team.
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I love theater, and I've always been a huge movie buff.
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My dad had a huge movie collection. So we all had a good sense of entertainment history. I was a Jack Lemmon fan more than most people from my generation.
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In the last 'Batman' movie, they told me that I couldn't get an audition for a small role they were casting because they weren't 'going urban.' It was like, 'What does that have to do with anything?'
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In those simpler days, you could just take pictures of movie stars and show them the way they were, as normal human beings. And if I felt part of any movement at the time, it was just to do that - to be journalistic and photograph what is, rather than what is made up.
Elliott Erwitt -
In all the movies I'm in love with someone in my head. There's always love in a film somewhere. It doesn't matter even if it's an action movie.
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That's the most important thing to me - that if I'm gonna spend however long it takes to make a movie, give up 14 hours a day for however many weeks or months, then it's very important for me to know that I'm working with people who I respect and enjoy and that we're going for something together.
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Cannes is a circus, so you have to have fun with it. Everything suddenly becomes funny. And the promotion of a movie - that's where you really need to be a good actor. You need to make journalists believe that what you're saying is just for them and you've never said it before, even when you're talking about the same film over and over again.
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Like so many Boomers, I saw 'Lawrence of Arabia' in 1962 when it was first released and when we were young teenagers. I'm not quite sure why - I really wish some psychologist would explain this - but that movie had a tremendous effect on many of us.
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I think there's really only been one successful video game adaptation, and that was probably 'Tomb Raider.' Whether or not you thought it was a good movie, it was successful financially.
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I ate his liver with some fava beans and a nice chianti
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No movie influenced me more to go after my dreams than 'Flashdance.' After seeing it, I took 15 dance lessons a week. I cut all my sweatshirts. I did the 'Maniac' thing.
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Life is much more available in New York - there are a dozen movie theaters within walking distance. Living in California is easier, but you get sedentary.
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Cannes is a circus, so you have to have fun with it. Everything suddenly becomes funny. And the promotion of a movie - that's where you really need to be a good actor. You need to make journalists believe that what you're saying is just for them and you've never said it before, even when you're talking about the same film over and over again.
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When I cast someone in a movie, I have to absolutely trust who they are as a human being. Trust is the intangible of moviemaking.
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I've done a movie called 'Lemonade Mouth' for Disney Channel, which was fun to do. I actually got discovered through an open casting call where anyone could audition.
