Movie Quotes
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In general, I think you can watch a movie in two different ways. One is the ethical point of view, one is the point of view of the story.
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When I want to relax, I plop down on my couch and watch some great movie, usually a British drama - anything with Colin Firth.
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My favorite unknown movie is 'The Comic.'
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To have a song work for the movie, it can't just be written apart and shoved in. It's got to come out of the action. It's got to talk about the characters, not the story: it has to augment that action.
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I hadn't done just a straight-out comedy in a long time, just letting an ensemble do really good character acting, having them carry the movie as in my earlier pictures.
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You can't force a movie to happen. Movies happen when they're supposed to happen. Everything happens in God's time. I really believe that.
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I can remember seeing the movie for the first time at a revival house in L.A. and laughing with everyone else, and never imagining that I would be doing Max one day, even though by then I had already memorized the entire movie.
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If I go on dates, my mom is always with me. She's always there making sure I'm all right. Like if I go to see a movie with a boy, she'll go to dinner next door.
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When Elvira, Mistress Of The Dark came out, I got to go to Japan and Australia and France, Italy, Germany, everywhere with the movie. That was great, because I love traveling.
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You are only an actor if you absolutely love it and can not do anything else. Starving for your art is great in your 20s, but it's not so great at 35. It has to be absolute love. You can't worry about being a movie star or anything else. Just love. That's it.
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It was my first scene in any movie and my only scene in Kramer vs. Kramer. I was petrified.
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Nobody sees the same movie. I'm sure there are people who saw Butch Cassidy and the Sundance Kid and thought 'Finally a gay movie about men who really care about each other. Thank God!' That's not what I saw necessarily - but I don't think any two people see the same movie.
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Creamy and leggy, with long azure hair and the eyes of a silent-movie star, she moved like a poem and smiled like a sphinx.
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Normally, I love to go to the movies and when I see a character portrayed by different actors at different ages, it kind of pops a little bit for me. It brings me out of the movie experience. Now we have the technology to cure that.
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I think, for a love story, the most important element is the music, since you don't have action sequences or item numbers. It really draws in the audience and adds to at least 70 percent of the opening of the movie.
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I really do not care if it is a B-movie or not.
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I remember reading 'Disturbia,' one of the first scripts I ever got, and I go 'Pfft, who wants to make a movie about a guy in a house?'
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I don't have to sit around and wait for the next movie to come along, I can go out and sing.
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Collider is a company that I formed with a movie producer, Alisa Tager, and we just wanted to create a place where writers could come and develop their ideas without a regard to limitations of form.
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The way I see it, if you're going to make an action movie, you've got to make one with John Woo.
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For sheer excitement you can keep movie premieres and roller-coasters . An empty white canvas waiting to be filled. That's the thing.
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It wasn't until the movie came out that it all changed for us. Some people say it was the start of Ten Years After, but in another way, it was the beginning of the end.
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The Farrelly brothers make movies the way you imagine a movie set would be when you're a kid - fun all the time.
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The movie, like the book before it, is an expertly built machine for the mass production of tears. Directed by Josh Boone 'Stuck in Love', with scrupulous respect for John Green's best-selling young-adult novel, the film sets out to make you weep - not just sniffle or choke up a little, but sob until your nose runs and your face turns blotchy. It succeeds.
