Movie Quotes
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I love to get involved with projects that take me out of my comfort zone. I try to do things that are not necessarily what I'm used to. I always wanted to do a big animation movie and stick to the codes that this genre sometimes implies.
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Bizarrely, on movie sets, they don't really dig it when you look in the camera, which is a bizarre fact.
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Music is the soundtrack to the crappy movie that is my life.
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It's the same assignment on every part: you want to create a real world, and the tone of it is a little different on each movie. You have to find your tone and work within that to make it as real so the audience can really engage in the story you're telling.
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If you have John Goodman in your movie, you want to use him as much as possible.
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The factors that laid low so whooping and puissant an empire as the old Hollywood are many. I can think of a score, including the barbarian hordes of Television. But there is one that stands out for me in the post-mortem.... The factor had to do with the basis of movie-making: ‘Who shall be in charge of telling the story.’
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Business, much like life, is not a movie, and not everyone gets to have a storybook ending.
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I've done every job in the world, and movies, the only thing close to a movie that I've ever done is it's kind of like being in a band.
Dito Montiel
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Noah is the battle of justice versus mercy. In Genesis it says that Noah was righteous in his times. You think you sort of know what righteous means, you know, if you listen to a lot of Bob Marley. According to all the biblical scholars we talked to, righteousness is the proper balance of justice and mercy. If you think of that, as a parent, you know that if you have too much justice and you're too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
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I'm proud of 'Miracle at St. Anna' and I loved it; there's no question in my mind it's as good as any movie that came out in 2007.
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I tend to look for the good in bad people and the bad in good people, to make them human. 'Cause I don't think that people generally are that black and white. Maybe in movie-land they can be... but that isn't necessarily all there is.
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It definitely has learning a lesson about the way you're living your life. I wouldn't compare our movie to that, but it has a structure where it's about a man who doesn't appreciate all that he has and finds out at the end that life has been great and he has to enjoy that.
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I love 'Sunset Boulevard.' I love the writing, I love the performances, I love the camera work. I think it's a perfect movie.
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I said 'Brian, no one is going to respect me as a mother after this.' He said, 'oh no, yes they will, this is a movie, don't worry about it.' But they're not.
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Like so many Boomers, I saw 'Lawrence of Arabia' in 1962 when it was first released and when we were young teenagers. I'm not quite sure why - I really wish some psychologist would explain this - but that movie had a tremendous effect on many of us.
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I'd rather be in love and have a baby than have a movie.
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The theater business has allowed me, in a way the movie and TV business has not, to do very, very interesting work. So that's what I do.
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I love 'Child's Play 2!' I love Don Mancini. That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant studio horror movie - but I liked the script, and I thought that was such an important theme because I don't think adults listen to children enough.
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The only genre of movie that I could see making that doesn't have anything magical or otherworldly about it would be a war film. I'm very interested in history, and a war film could be something that would lure me in.
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My mom was beautiful; she was supposed to be the original Jane in the original Tarzan movie. They asked her to put her foot in the water and there was an alligator in there, and she wouldn't put her foot in the water.
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Later, I made a movie with him, 'That Touch of Mink,' and we became good friends but any woman's initial meeting with Cary is right up there with the big moments of her world history.
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Ever since I was a little kid, I told my mom that I want to go to Hollywood and make a 'Batman' movie.
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I remember the first time I saw Robert De Niro at a party. I didn't want to run over and shake his hand. I wanted to admire him from a distance. Later, I ended up making a movie with him, and that was fantastic.
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There was no studio involved when we made 'Stargate.' It was financed through Le Studio Canal+ in France and, after the film was finished, it was sold to MGM. When the film was a success, MGM decided to do a television series based on the movie.
