Movie Quotes
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There hadn't been one done since the late 70s. I was living in Brooklyn, had no connection to Roger Corman, to no one in this movie. I didn't go to film school. I'm like the person who should have never made this film. But I just decided to put one foot in front of the other. I was writing film articles for magazines at the time. I convinced an editor from one of the magazines that I was working for to give me a shot to do a piece on Roger. This was an excuse to go meet him.
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I also couldn't pass up the opportunity to be in the same movie as Jack Nicholson and Glenn Close.
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If no producer, no movie.
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Don't ask super goofy questions at the premiere of a very serious movie or try to have an in-depth political discussion at the opening of a new fashion boutique.
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I always tell clients you have to be able to remember why you chose to do a movie: to always be able to look at a movie and know, whether it's good or bad, why you chose to do it.
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I am so excited about the 'Goosebumps' movie; I am geeking out. I was a huge fan of the books.
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I think saying 'a John Hughes movie' is just shorthand for a lot of people to say 'a coming-of-age story,' because I think, when you're of a certain age, that's what John Hughes means to you.
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When you create a movie, you create something in your image.
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Cinema is an art form that is designed to go across borders. And as a filmmaker, the only way I can direct a movie is when I feel close to my culture.
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I want the audience to walk out of the theater feeling they got their money's worth. Every movie that I enjoy, I leave the theater with something to take with me.
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When I'm getting ready for a movie, let's just say my diet is 'The Antisocial Diet.' I don't go to restaurants. I don't eat what I really want to eat. I don't eat much. I eat small things frequently. Lots of protein and greens. And I don't eat with people, because there's a tendency to get social and then to overeat.
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This is not a movie about smelling the urine! It's another kind of movie." Volker Schlöndorff got Billy Wilder to agree to these conversations - you can buy it - because Volker spoke German at times. And he said to Billy Wilder: "What is in your mind?" And he said: "If you're going to try to tell the truth to the audience, you'd better be funny or they'll kill you." And I haven't forgotten that.
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There's a vast difference between marketing a movie and the movie itself. You try to cast as wide and broad a net as possible.
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People would always say horror movies always thrive during times of war; that's just what people would say. And I don't know if they thrived during World War II or Vietnam, but I thought that's kind of strange, why would that happen. I don't know if people rearrange their priorities; in good times, they freak out and start pointing the fingers at video games and TV, but when horrible things are happening in the world, a horror movie just seems a little ridiculous.
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'Swept Away' is one of my favorite films of my father. I've seen it about 20 times. It's a cult movie in Italy.
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I quit smoking the day I found out I was pregnant, which was nine years ago. But I'll still smoke in a movie. I have other vices, you know, like potato chips and chardonnay - but not together.
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American Pie' was a big movie for me. No one knew it at the time, but it allowed me to be offered such movies as 'Like Mike' and 'New York Minute' with the Olsen twins.
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I wasn't really interested in doing anything except going from pilot season to pilot season and sowing my oats in the months between and telling my agency to stop sending me movie scripts, because they'd pile up in my house and make me feel guilty because I had to read them.
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I'd say there's more of a difference between a play and movie to TV than there is between TV and movies. But there's something involved in the repetition of things that require something different from me in order to sign onto a script.
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My dad teaches film and has done for 40 years, so I've really grown up in a movie household. All the walls are covered in movie posters, and many of the evening meals at 7:30 revolved around film discussions.
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My greatest sense comes from the experience of performing in the movie. When I have a great experience, that becomes a perfect movie. If it makes a nickel, it's still perfect. The same is true with a movie that's a bad experience. If it makes a bejillion dollars, I will hate it till the end of time.
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It's a very complicated landscape and I don't think there's one easy answer about it [Edard Snowden movie].
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I remember my first acting class: I was like, 'That's it.' If I know that I want to do something then I'm going to do it and there's no stopping me, whether it's if I want to take a movie part or don't, or eat sushi for lunch or don't. There's always a very clear goal. Once I figure out what I want that's it.
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'World War Z' is basically a big-budget B-movie.
