Movie Quotes
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We originally developed 'The Client List' along with Lifetime as a TV movie - my manager and I became partners on the project. Then, we brought in Howard Braunstein on the project and produced it along with Lifetime.
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I can't just watch a horror movie and leave it at that. The scary parts just stick with me. It kind of infiltrates my brain and sometimes I can't sleep at night, so usually I don't go and voluntarily watch one.
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I'd rather shut myself in a room for six months than act in a bad movie.
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The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded.
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'The Golden Compass' became a bad experience because the studio didn't have faith in the strength of the ideas of the novel, which is ironic because it's one of the greatest fantasy novels ever written, if not the greatest, and they took the religion out of it and tried to turn it into a popcorn movie.
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I've had some amazing people in my life. Look at my father - he came from a small fishing village of five hundred people and at six foot four with giant ears and a kind of very odd expression, thought he could be a movie star. So go figure, you know?
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I think a lot of times people who jump from one movie to another don't enjoy their private life. It's a great way to escape reality. But I enjoy my life.
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Often in the past, there have been authors that were deeply disappointed in their adaptation, but that's because they haven't accepted the fact that a movie is a different thing, and it can't possibly be the same as the book.
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I made 'Empire of the Sun' in Shanghai in the 1980s and want to come back one day to make a movie in China.
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Be your own hero, it's cheaper than a movie ticket.
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I have to credit high school for allowing us to mess around with movie stuff at a time when it was a novelty. Experimenting with that and having a very good group of friends to work with made it a very easy decision that this seemed like something I wanted to do with the rest of my life.
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There is a group of us that met through Howard Klein's class in Los Angeles. Howard Klein is a prominent acting teacher. We got together and did this short Night Music that was such an amazing experience, Guy and I were thinking, 'Okay, what do we do next?' So he wrote this next movie of his, Loulou.
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Making a movie to entertain people, that's just as important as telling people about our stories.
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Francis Ford Coppola didn't come out of the womb with The Godfather. He had a whole build up until he got to that point. I think it's okay to fail. That's how you learn. I think that's hopefully what people can take away from this movie.
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I had the opportunity to do a movie with Roger Daltrey of The Who. In the movie, I played a guitar student. Since I had to learn how to play somewhat for the movie, I was introduced to the guitar.
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I want viewers want to talk about The Conquest. I want the dialogue to start after the movie. The cinema is there to leave a trace. I hope my film leaves a trace and that it will open a door for French cinema and that tomorrow other directors will make political movies. The job of a filmmaker today is to talk about the world surrounding him and, through his movies, to both entertain and raise questions about modern society.
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A movie has to get good reviews, high grosses - it has to beat expectations. The same thing with television and the ratings. But being curious isn't like that. It's not a public thing. It's private, and the test is a private one. You have to be on your toes.
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Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from and they're also relying tremendously on the creative imagination of the reader.
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Every movie presents unusual challenges, and I like solving the problems with a combination of artwork and engineering.
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I remember, like, literally saying - watching some cowboy-and-Indian movie with my mother, and I go, so, if we were back then, we'd be the Indians, right? She goes, yup, that's who we'd be. We wouldn't be those guys in the covered wagons. We'd be the Indians.
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Producers and studios know what sells. It's nice to be one of the guys that can help sell a movie by taking his shirt off.
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Blythe Danner is somebody whose career I admire. She's a great actress and does good work, but also has a life of her own. I love my job but, at the end of the day, I want to come home and watch a movie and drink a bottle of wine with my husband.
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I want to point the way to something that should forever lure them, when the TV set is broken and the movie is over and the school bell has rung for the last time.
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I watched 'My Girl' as an adult pretty recently, and it's a good movie.
