Movie Quotes
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I love what they do with 'Doctor Who,' where they have the series, and then they do a big Christmas movie special.
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I have a certain kind of a taste for what will make a good movie or a good play or theater.
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Netflix, Amazon, iTunes - whatever platforms emerge - we are looking at as having the same potential that home video had for the movie business. Which means there are entirely new opportunities to monetize our capital investment in content and do so in ways that work for distributors, for consumers and for creators.
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I can make a movie for $5M, which used to be a routinely low, independent movie, but there's no such thing as that any more.
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I don't have many rules, but one of them is, 'Do not make a movie you yourself would not want to see.'
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I don't see a full-fledged career in Hollywood. I am happy with the cameos. Even Tom Cruise will only do special appearances in our films; he wouldn't do a full hero movie. But it's good to act in different cinema.
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I can't watch a movie and watch just two minutes and turn it off, then go talk to my girlfriend.
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I'm horrible at quoting movies! Even my very favorites are not easily recalled or programmed to memory. When people start movie quoting around me, I'm that person who just smiles and then looks up the reference later.
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On 'Edge of Tomorrow,' we discovered that movie while we were making it.
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Conditions in the movie industry somehow propose the paradox: "We brought you here for your individuality but while you're here we insist that you do everything to conceal it.
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Movie dialogue is movie dialogue. It can sound real, but no one speaks that way.
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Everybody perceives me because of my career that I'm a movie star, or I'm this model, but I'm still the same person I was when I was a little girl.
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When I do a political movie, I do a political movie.
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You know what I'm realizing? I always love a place if I like the movie I'm doing there. I've heard people say, 'I hate Pittsburgh,' and I'm like, 'I love Pittsburgh so much!' I loved what I was doing there, and I loved Austin for the same reason.
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Even in the Pixar and DreamWorks animated movies, there are themes that could be taken into an adult area very easily. 'Zootopia,' I think, is the closest so far; I love that movie because they really did push the envelope as far as the ideas and writing of an animated film for families.
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Sony is looking at 'Descender' as a franchise of films rather than just one movie.
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I see the first 'Bourne' movie as really kind of a fulcrum in changing the modern action film, where things are really gritty and really character-driven. Think about how the entire Bond franchise was completely radicalized by Bourne.
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There is that stereotype of a nerd with the high pants and pocket protector and that kind of thing. That can sustain comedy for maybe a movie - hence the 'Revenge of the Nerds' franchise - but not for hopefully years on the air. It's a sight gag, not a story.
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Actors, movie stars, rock stars, I can meet them with no worries - but with footballers I go weak at the knees. All of them.
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I learned so much from other actors and they definitely didn't treat me like some sex bomb or bimbo. I felt fully accepted in the regular movie world. I didn't feel categorised.
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'Red Dawn' was very resonant with a lot of people - they love that movie. I always thought it was a little hysterical.
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People always ask me, 'Did you see Larry's latest movie?' I always say, 'No, but I flushed a ten dollar bill down the toilet, so I feel like I've seen it.'
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I love telling stories with images. But I think there's more to just saying a movie is great visually.
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Back when I was a professional model-maker at Industrial Light & Magic, my specialty was hard-edged construction - spaceships, miniature sets, and architectural stuff. These objects were sometimes just 12 inches across yet needed enough detail to fill a movie screen.
