Movie Quotes
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Whatever it is that makes your movie unique is something you should embrace.
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I would still encourage somebody, if they wanted to make a movie, to just go take a movie camera. That's clearly been shown to work. It's just how do you get it seen?
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'Sicario' is about how the Western world reacts toward problems outside of its borders. Should we become monsters in order to fight the monsters? It's not about the cartels. The movie could have been set in Africa or the Middle East.
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Each movie I make has its own heroes, and the two heroes for me in 'Arrival' are Amy Adams and Joe Walker, the editor. We worked very, very hard, and it was, by far, the longest editing process.
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'World War Z' is basically a big-budget B-movie.
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You can shoot and edit a movie from your iPhone and upload it to YouTube. Of course, what's not universal is talent. Are you making anything that anyone really should see?
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I'm Italian and Spanish and Jewish. I'm 100 different things meshed into one. I think that shows girls that uniqueness is beautiful. They can look at me on a magazine cover and see me in a movie and say that they have someone they can relate to.
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I don't think of myself as a movie star. I'm a movie worker. I come from a railroad family. I come from the corn.
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Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed.
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With action movies, that's just fun stuff for me. That's me being a kid again. Same with 'The Best of Me' and these romantic dramas. It's such a freedom from reality and social constructions. You get to just have fun and play and be in a movie.
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I don't know that a movie like 'Daredevil' did better for having Ben Affleck then 'Spider-Man' did having Tobey Maguire, who was a relative unknown at the time.
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It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job.
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It turns out that it's easier to do politics in a movie. People really don't want it in their TV.
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Think 'Game of Thrones.' In the old days, this sort of show might be considered bad writing. It doesn't really seem to be moving toward a crisis or climax, it has no true protagonist, and it's structured less like a TV show or a movie than a soap opera.
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I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.
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What we do is service a story first, and then you figure out how to pay for it later. If the narrative isn't your primary focus, then the movie is going to become diluted, and you don't have a movie that is as good as it could be, so it probably won't make as much money.
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I think people are used to seeing actors be wide open and desperately giving of themselves, and while I do that on a movie set as much as I can, it's so unnatural for me to do it on television, in interviews, in anything like that. I also don't find that my process as an actor is really anyone else's business.
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I want the pleasures of the real exploitation movie, and exploitation has changed so much in 40 years. Plenty of people grow up with this fantasy of, "We're going to do it like Roger Corman did it," as that sounds so fun. If you make something small, goofy and exploitative, it's nowhere near the guaranteed moneymaker it might have been 40 years ago. If you look at the way the world works now and money is made, it doesn't seem that fun. Maybe that's just a mental block I have and I need to get over that and find that corner where you can make money and still have a good movie.
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I made a movie in Germany called 'The Chambermaid' - it was very, very small. I think it cost €70,000 to make. I even put some money in and raised some money for it. It was real German arthouse... It goes, somehow, out there on the Internet, and it goes on iTunes.
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The idea of a youth-based society that you live in for a certain time and then you no longer live anymore is an interesting idea for a movie, but you need young people that people want to go see.
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If you take a movie like Easy Rider which everyone counts as the beginning of New Hollywood, that is a big movement. And then, when you really dissect that film and the people that were behind that movie, you realize that it has Roger Corman written all over it. Easy Rider is a hybrid film, taking The Trip and The Wild Angels and making a new explosion. And the people that were making it, guess what, they were all people who had worked with Roger Corman.
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The nice thing about the theatre is you can always change it. With a movie, once it's there, you're stuck with it.
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I've been around long enough now and have learned to be flexible enough to know that every movie isn't going to be 'Apocalypse Now,' and every director doesn't have to be Stanley Kubrick.
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My dream role would be to play a Korean hero in a Hollywood superhero movie.
