Movie Quotes
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Another random thing I do is the search for extraterrestrial intelligence, or SETI. And you may be familiar with the movie 'Contact,' which sort of popularized that. It turns out there are real people who go out and search for extraterrestrials in a very scientific way.
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If a director brings a guy to their movie who does improv, they've got to let him do what he does - otherwise it's like bringing Michael Jordan to your basketball team and telling him to just pass the ball and don't shoot.
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I really like working. I can't think of a job I didn't like. I was in an Alvin and the Chipmunks movie, which is not my idea of folk art; but I really enjoyed making it, and everyone was really nice.
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It's tough to make a movie about movies... We're all too close to it. But 'The Bad and the Beautiful' was very good.
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I had two different kind of parents. My mother was obsessive with movie stars and cinema and Hollywood because she worked in movies. And my father was obsessed with beauty everywhere - in art, in nature, animals.
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There's nothing sacred about the book you've written. The Bible says there's safety in a multitude of counselors. The movie is the movie, and the book is the book. They're different critters, and each must stand on their own merits.
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I'm from Chicago, my family started a chain of movie theaters in Chicago that were around for 70 years and then one of them became the head of Paramount and the other was the head of production at MGM and we all came out of Chicago.
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'La La Land' is about the city I live in. It's about the music that I grew up playing; it's about movies that I grew up watching. Even the big spectacle of the movie feels private to me in that way.
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I just think a lot of movies are too long. I want to know how to make my movie as tight as possible.
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Scientology always makes me think of that movie 'V' where that woman takes off her mask of human flesh to reveal her true, alien self.
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And in a world without heroes, as the movie trailer voice-over guy might say, the slightly awkward can be slightly cool.
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I think the success of a film is very important to an actor. It depends on how many people go to watch your movies; the more the merrier. Nobody wants to do a film for five people. You work so hard that millions of people watch the movie; this is directly related to box office success.
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Professionally, the first time I sang was on 'Alice Upside Down.' It was the first movie that I did, and I had this little mini singing part.
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Somebody might get criticized for doing some movie that totally sucks, then turn around and be incredible. Every actor goes through that, not just musicians who act.
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There was one incident at a movie theater where my girl got mad at these guys who were talking behind us. I never looked back there, but she was like, 'Will you all just shut up!' And I just got up and moved three rows in front. She was like, 'What are you doing?!' I was like, 'You better get up here! I don't play the fighting games.'
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I was a bit odd as a kid, because there were so little outlets for me. There was no theatre except for the odd community theatre and school shows. The only movie theatre was at the Canadian Forces Base nearby in Comox, so it either showed kiddie flicks for the families and restricted stuff for the men.
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I like the idea of making a big, fun, adventure type of movie.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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A movie star is someone who has to open a film to gazillions of dollars. I'm just trying to pay my mortgage.
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I was a big 'Blue Valentine' fan. I really loved that movie. And I thought the performances were just unbelievably real, which is certainly what I always strive for in my work.
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'Elizabethtown' was a movie made for all the right reasons, and people who connect with the movie really connect to it. It's not the biggest group of people ever, but I still really believe in 'Elizabethtown.' It wasn't, like, a savage blow.
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I don't want to put 12 singles on an album. I want to make a story, a little movie.
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Sidney Poitier and Sidney Lumet were instrumental in helping me get started as the first black composer to get name credit for movie scores.
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As the movie income comes down, it leads to a lower salary, and capital gains will keep going up.
