Movie Quotes
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Anybody you make a movie with when you're 12 and they're 14, you're going to know them your whole life.
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Young people are forced to mature sooner now than in the '40s. I was doing things at age 14 that guys in the movie were just beginning to do at 16 and 17.
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I didn't even know how to judge 'Die Hard 1.' It's not anything I know how to judge. I'd never seen an action movie. I'd never seen a Sly Stallone movie or an Arnold Schwarzenegger movie or a Charles Bronson movie. And that is the truth.
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I don't want to make movies for kids, and I don't want to make movies for adults either.
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After Hollywood, you know if people are interested in you or in the fact that you've been in a movie. You know who your real friends are.
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There is no difficult moment working together because when we start a new project, Dante starts to make all the sketches and I can see the vision of the movie and then I start my job.
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A movie is a certain thing by definition. There's nothing wrong with knocking out a good genre picture.
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Sweating the small stuff is important in boxing and life. On a movie, we have production assistants who're 18 and 19 years old. If someone asks you for a cup of coffee, and you bring them a cup of coffee that's cold, I make a big deal of that. I make a really, really big deal of that. You have to pay attention to details.
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The first 'Half-Life' movie treatment pitched to us climaxed with a tearful reunion between enslaved Vortigaunts and their Vortiwives and children. The last one I saw had Black Mesa invaded by a cavalry unit, just so as to feature a scene of bullsquids tearing into armored horses.
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People have to learn that everybody is the same. If you wake up in the morning, even if you're a movie star, you look like everybody else. The reality is that makeup is there to help. That's what it's for.
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The story of Warner Brothers' movie, 'Mildred Pierce,' recounts the enormous and unrewarded sacrifices that a mother (Joan Crawford) makes for her spoiled, greedy daughter (Ann Blythe).
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I think it's impossible to get any movie made, let alone a character story. Even with big stars, which we had, there were challenges. But we got through it, and we're really happy that we made the movie. It's easier to make giant robot movies, but I'm not in that game.
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I wasn't really conscious about 'The 39 Clues' movie when I wrote 'The Black Circle.'
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You can't put the Hollywood sign in a movie without paying them. That is a landmark in L.A. I'm sorry, remove it from our skyline, then. You know? How dare they. That should be public domain, right? But it's privately owned, and they enforce that. They sue people. If you see it in the movie, they've paid for that.
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My temperament is not the adventuresome sort that enjoys starting new projects every six months. I love ensemble, nine-to-five stability. There's a family dynamic in making a television show that you don't get on a movie, where you're a hired gun for a few months.
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I find L.A. kind of romantic, actually. As a movie junkie, it's a city that was built by the movies. There's something really weird and surreal about it that I find energizing.
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In keeping with Miramax tradition, I was instructed to find the 'hottest young stars around' to cast in the movie. I got a list of two names: Michelle Monaghan and Casey Affleck. I was lucky enough to get them both.
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I think it is a mistake to identify a movie according to its language, as if movies were literature.
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I really want to do a western film. It's one of my favorite movie genres of all time.
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As a filmmaker, you just make the movie you want to make, and you sort of put your faith in the distributor to make sure the right people see it.
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It's very difficult to release an X-rated movie.
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I just love when a movie takes a break and gives you a poetic moment, but sometimes it's good when they just happen randomly. If your actors are really comfortable and you let the camera roll, sometimes things happen and you just see something that's visually iconic, or emotionally that way.
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I think that, in the beginning, you think, 'I want to be the biggest movie star in the world.' And then, with the more movies you make, you are like, 'I don't know if I want to be that anymore. I think what I am looking for is something different.' I like acting, but a lot of times, stardom comes with a lot of strings attached.
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I've been a children's book editor, a nanny, a camp counselor, a barista, a research lab assistant, and a movie theater ticket-taker.
