Movie Quotes
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I'm not opposed to doing science fiction or comedy, but there has to be respect. I refuse to be the joke, the fat woman joke, in any movie. I've turned down roles.
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When I got cast in 'Rocky IV,' I had never seen a film camera before. And here I was in this boxing movie.
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I don't consider roles like in 'Die Hard' what I do. This is like a hobby. It's fun. I had a good time. And I love being in a movie that people actually go see. But it's about things getting blown up. It's not about great character development.
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Every single movie I go up for I'm just checking the phone to see if the e-mail's come in, to see if I got the part yet, which makes me more anxious.
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I put a lot of faith in dreams. I know that big movie roles and opportunities are going to happen.
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I think that came out of watching all those serious movies for all that time. If you watch a movie like Zero Hour, Sterling Hayden is pretty funny, and so are the guys in the cockpit.
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The first Star Wars movie had come out in 1977 and had become this huge phenomenon with all the toys and everything - it just kind of swept America.
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I first saw Walter Hill's second film, 'The Driver,' as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Given that this 1978 slice of neo-noir takes place almost entirely in the dark streets of a deserted downtown L.A., it's really a perfect midnight movie.
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There are certain things in 'Twilight'... As much as I'm proud of that movie and I do like it, I feel like maybe I brought too much of myself to the character. I feel like I really know Bella now. But most readers feel like they know Bella because it's a first-person narrative.
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I've been asked to do surfing movies over the years and offered several opportunities. I just felt that if I were to do one, I'd have to do the perfect surfing movie. And I don't know if that exists because surfing is such a personal thing.
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Sometimes I take a movie that I know is not great; it's not great on the page, but I need to work. Sometimes I need to make the money. I need dough. I want to work, and so I'll take something that is compromised in some arena. But it's like, actors gotta act.
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If I got hit by a bus tomorrow, I get to say I was in a movie.
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I think that you can't make a movie without a script. But you also can't make movies without actors. You also can't make movies without technicians. And there has to be just one person in charge of everybody, and to me that one person is the director.
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And I love a scary movie. It makes your toes curl and it's not you going through it.
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If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers. You wouldn’t tell your friends you saw a beautiful movie or go home and put a record on to think about the story you’d seen. The truth is, you wouldn’t remember that movie a week later, except you’d feel robbed and want your money back. Nobody cries at the end of a movie about a guy who wants a Volvo.
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I love accents in general. I'm obsessed with dialects, and I had to write a whole movie about it called 'In a World...'
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I've never been able to write a movie script. I respect that skill so much, but it's not been the way my brain works.
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I think what makes a good actor's director is the same thing that makes a good director. Acting is just one of the trades necessary to make a movie.
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I'm always looking for that movie that feels like it's hitting me where I need it.
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Once, I optioned a novel and tried to do a screenplay on it, which was great fun, but I was too respectful. I was only 100 pages into the novel and I had about 90 pages of movie script going. I realized I had a lot to learn.
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The people who watch a movie like 'Wolf of Wall Street' and want to work on Wall Street are exactly the kind of people who shouldn't.
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After directing movies, I respect any director in this world, because making a movie as a director is tons and tons of work.
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It costs a lot of money to release a movie. What you'd call art-house movies - movies that don't have big stars or big budgets - they're very hard for distributors to get behind 'em and take chances.
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It's very liberating to be naked in front of a hundred people, but there's nothing sexual about lovemaking on a movie set.