Performance Quotes
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My father was a painter and an anarchist, always getting in trouble for his performance art.
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Whereas fiction is a continual discovery of what one wants to say, what one feels, what one means, and is, in that sense, a performance art, biography requires different skills - research and organization.
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Obviously, it's not a performance that we're proud of. But nobody's going in the tank, or giving up. We're going to come out next week and have a lot of our problems fixed.
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Undoubtedly our Heavenly Father tires of expressions of love in words only. He has made it clear through his prophets and his word that his ways are ways of commitment, and not conversation. He prefers performance over lip service. We show our true love for him in proportion to our keeping his words.
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Such crazy things happen on daytime TV; if you were to take a specific scene out of context, it can sound so far-fetched that you start laughing at the material... and that can take you out of watching the performance.
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Nobody has milked one performance better than me – and I'm damned proud of it.
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I was very impressed with Hanson's performance. I thought that little drummer was a kick-ass drummer, and uh, that they sang great, I mean I didn't know either, y'know, that these little boys, y'know, I was very impressed. I think they'll probably be around in 20 years writing good songs, and being a great band.
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I am always more interested in performance and character depiction, and my direction says as much.
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Chance in music doesn't have to involve the I Ching or rolling dice or throwing yarrow stalks. It can involve an out-of-tune guitar, or other impossible-to-replicate moments of awkwardness - even more so than an awkward, out-of-tune live performance, because there's something incredible about the way that an out-of-tune guitar becomes part of the song on a record. I won't be precious and say it's part of the composition - that's nonsensica l - but chance occurrences are so crucial to what's distinctive. It's the fingerprints all over so many of these recordings.
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It's interesting how some songs really lend themselves to performance in a big public venue and performance by a band and so on, and so they're even more successful in that context than they were on the record.
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I believe that the Federal Reserve's success in reducing and stabilizing inflation and inflation expectations is a major reason for this improved economic performance.
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You need 10,000 hours to figure out how to be good at something and I agree with that to a certain extent. It's like everything you do to lead up to a great recording or great performance is everything you've done in the past and you can't just, it's rare that someone wakes up in a void and goes and wakes up and makes the most brilliant recording or performance.
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Expected outcomes contribute to motivation independently of self-efficacy beliefs when outcomes are not completely controlled by quality of performance. This occurs when extraneous factors also affect outcomes, or outcomes are socially tied to a minimum level of performance so that some variations in quality of performance above and below the standard do not produce differential outcomes.
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I am a huge fan of Jessica Lange. I think her performance in Grey Gardens is amazing.
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It's that iconic imagery of that sea of raised fists during a live performance. It's a symbol of unity and strength and at the same time there are elements of defiance and rebellion that are inherent in that raised fist symbol. It's just one of those iconic pieces of imagery from the life of rock 'n' roll.
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To the extent that children with similar characteristics achieve comparable performance levels, using the performances of similar peers is likely to yield more accurate self-appraisal than using the accomplishments of dissimilar peers.
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I hate it when I see people texting at a show. And talking to each other. They're at a performance; they should respect the performer.
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Diamanda Galás, the avant-weird performance artist... 'The devil's wife,' someone calls her. Faith No More loves Diamanda Galás.
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I was charmed by a performance given by Crowded House at Toronto's Massey Hall where the bass player broke a string.
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In performance, you don't always feel that sort of family bond right off the top. It sort of develops and grows over time.
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It's bittersweet. I tried hard, I have no regrets. For that performance, silver is generous.
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In business, we use certain principles to measure performance, and I envision applying those principles in the public sector.
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He was fussy and very childlike. He'd be a handful, ... He'd have you so angry, but then he'd come up and hug you. He was just aggravated and somewhat fearful about the key. But we knew if we made him stretch, he'd have to invent something for the performance, slide off into a little falsetto, and it just worked.
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Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like to make puppets in a gallery or museum. They're not often in those contexts.
