Art Quotes
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The artist make things move, and is moved. He is policeman, motor car, everything at once. He who makes things move also creates rest. That which aesthetically is brought to rest is art.
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It was Public Art, defined as art that is purchased by experts who are not spending their own personal money.
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Art gives us an opportunity to not have to leave or go somewhere or do something to experience the magic in our lives. It actually gets us to sit back and be where we are and recognize we're already magical.
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In its essence, any art that relies on words makes use of their ability to eat away - of their corrosive function - just as etching depends on the corrosive power of nitric acid.
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Art is not an end in itself, but a means of addressing humanity.
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To have art suppressed is very dangerous to society.
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My art and poetry is very political now. Because you've got to find that truth within you and express yourself. Somewhere out there, I know, there will be people who will listen.
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It is not from choice that my life is music and nothing more, but when one is an artist what else can he be? When a whole lifetime is too short to attain the heights he wants to reach, how then can he devote any of the little time he has to things outside of his art?
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Appearance should never attain reality,And if nature conquers, then must art retire.
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When I was still doing indie, it was just purely art. I don't think about how much I will get paid or how much the movie will earn.
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There is a lot of snobbery towards pop music, to me and pop in general - it's kind of a despised art form.
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I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
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I had no interest in high school besides art.
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I think it's unreasonable to expect kids at 17 to know what they want to do with the rest of their lives. And actually, I guess I had a desire to be an artist, and I did enroll in art school out of high school.
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I have a lot of good role models in my family for things off the court - like my older sister, who's a lawyer. I don't like writing papers, but she's helped me a lot. It's nice to have an art and business background because they tie together perfectly.
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My aunt was Frances Hodges, who in the Fifties was the editor of 'Seventeen' and later one of the creators of 'Mademoiselle.' She was my Auntie Mame; she loved culture. She was a Quaker, but she became a milliner against all Quaker logic - they feel that fashion and art are vanities - because she loved fashion.
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To be interested in short stories, you have to be interested in fiction as an art form.
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My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
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It is a principle of the art of war that one should simply lay down his life and strike. If one's opponent also does the same, it is a even match. Defeating one's opponent is then a matter of faith and destiny.
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The social dimension of the art world is fascinating to me, but I also want to entertain the reader, so I will let a character say something funny.
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People shouldn't trust artists and they shouldn't trust art. Part of the fun of art is that it invites you to interpret it.
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It is commonly thought that everything that is can be put into words. But there is a wide range of emotional response that we make that cannot be put into words. We are so used to making these emotional responses that we are not consciously aware of them till they are represented in art work.
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Our day-to-day lives are pretty chaotic. So in terms of the writing part, you have to get pretty disciplined about finding quiet moments and making sure you're making time for the art side, on top of all the time-consuming business side.
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The Futurists were an art movement in the early 20th century which basically glorified machines and the Industrial Revolution.