Scene Quotes
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This is the way I look at sex scenes: I have basically been doing them for a living for years. Trying to seduce an audience is the basis of rock 'n roll, and if I may say so, I'm pretty good at it.
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It brings one very large tank of foam to the scene. Where before, all of our foam came in five-gallon pails, this gives us the opportunity of having one large source of foam.
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Get on up, stay on the scene, get on up, like a sex machine.
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After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
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It calmed me down to see that most of the time no-one gets the scene on the first take.
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When you first break into the music scene, everyone is so naive. I was only nineteen when i started happening whith 'Charly' and I was so into the rave scene - apart from hip hop, I was blind to everything else.
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Hey man, Jaws was never my scene, and i don't like Star Wars.
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What I do is whatever it takes, it takes. Sometimes you see a scene right away and a take looks great so you might print that and you might print a couple more and take elements of all three. It just depends. You're looking for the highlights. You're looking for the best elements of the scene, but preferably you'd like to have one good take that would go all the way through.
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I have been working out for 30 years, staying in shape in the dream that someday I would get to play a sex scene. Finally I get one, and they cut it.
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The way television works is that directors come in and out, and they're not there all the time, following every character through every scene. They're vagabonds who go from one show to another.
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Gradually the live TV scene simmered out, replaced by film, and that took place in L.A. So many actors left New York.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
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I was always really into the music rather than the scene.
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The way I go about a lovemaking scene is that we will talk about it during the rehearsing time.
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There's a running joke among fans that Jack never goes to the bathroom. We had a scene where I was running towards a sign pointing ?BATHROOM' to the left and ?OFFICES' to the right. I did a double-take and ran towards the bathroom! We sent it in to the network, as a joke reel. But, quite frankly, nobody wants to see Jack Bauer go to the bathroom.
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The first time I ever screamed at someone was in a scene, and I'd never screamed at someone in my life.
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You can imagine several scenes from Star Wars? The way they looked? For me, that's how music is. Sometimes I'll be developing riffs for songs, just while I'm sitting around and not playing.
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The music scene as I look at it today is a little different from when I was growing up. The percentages are roughly the same - 95 percent rubbish, 5 percent pure.
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All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.
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If you do a scene and you really like a character in it or a premise in it to write it down and to work on it so that you can have five or six characters that you can pull out in an audition.
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A new chapter in a novel is something like a new scene in a play.
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The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.
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What characterized the whole punk scene for me in 1977 was there was no racism or sexism. It was an anarchy of -isms, and a matter of abolishing it all.
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I'm so used to being behind the scenes. I didn't really want to be front and center. One of the elements of my relationships with the artists I work with is that I'm not front and center, and they are.
