Scene Quotes
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I was always really into the music rather than the scene.
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When you're in that scene, you really wonder if this is all you're ever going to be. You know how vile and filthy you are inside.
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When you first break into the music scene, everyone is so naive. I was only nineteen when i started happening whith 'Charly' and I was so into the rave scene - apart from hip hop, I was blind to everything else.
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The first time I ever screamed at someone was in a scene, and I'd never screamed at someone in my life.
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It's hard to be natural in a scene when you pick up the phone and no one is there.
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It was certainly a good death scene. I'm endlessly perishing in roles but it's a wonderful thing to be asked to do.
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The blossom is blighted, the leaf is withered, the God of day goes down upon the dreary scene, and in short you are for ever floored.
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I was never into hanging out on the Sunset Strip. When it came to Guns N' Roses and the scene that was going on then, that was something we pretty much hated. That was what we had to scratch and claw through, and as soon as we got established enough to leave, we never went back.
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Another year is fast approaching. Go be that starving artist you’re afraid to be. Open up that journal and get poetic finally. Volunteer. Suck it up and travel. You were not born here to work and pay taxes. You were put here to be part of a vast organism to explore and create. Stop putting it off. The world has much more to offer than what’s on 15 televisions at TGI Fridays. Take pictures. Scare people. Shake up the scene. Be the change you want to see in the world.
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I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it.
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I remember secretly going off and crying. All of a sudden I'm being blocked and have to be intimate in a scene, and I'm going, 'I can't even look people in the eye very well. How am I ever going to do this?'
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John Howard turned the prime ministership into something like a state police minister. He's at the scene of every crime, twice a day on radio, the guy did no thinking.
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I'm used to a lot of love scenes. I'm used to something that requires me to kick up my heels and wink-wink, flirt-flirt with a twirl of my skirt.
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Every day, there's that tension and the pressure. Each scene that you shoot is like getting to that next step, but there's still that mountain to climb. So it's not like one day is harder or one scene is harder. They are all equally challenging.
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Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
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Trust is always a factor. You've just got to look at the big picture, and you've got to look at the small picture - the small picture in the sense that you've got to make every scene work and you've got to deal with what people are presenting you with, too.
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We're from Melbourne. And Melbourne has a scene where anything goes.
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For me, I wish I loved every script that I read. Sometimes I'm more picky and choosy than I really should be because you would get more jobs as an actor! But you don't know what it is. Sometimes you read something and it could be a big part or a small part. It could be one scene and I'll read it and say: "Wow, I really like that and I really want to do that.".
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As we passed on, it seemed those scenes of visionary enchantment would never have an end.
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I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
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It calmed me down to see that most of the time no-one gets the scene on the first take.
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Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
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Everyone's looking to the urban scene for inspiration now.
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We do a lot of improvisation. There's definitely an element in the music that is well-suited to that scene.
