Scene Quotes
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In general, I don't care for scenes of copulation.Certain functions of the human body are bloody private.
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I'd rather lose the small part of the audience that is going to be insulted because a documentary shouldn't have music than the big part of the audience that kind of gives itself over to the scene.
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Mother, when your children are irritable, do not make them more so by scolding and fault-finding, but correct their irritability by good nature and mirthfulness. Irritability comes from errors in food, bad air, too little sleep, a necessity for change of scene and surroundings; from confinement in close rooms, and lack of sunshine.
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I remember that I auditioned with the scene where I pull the grandfather out of the coffin. I just loved it so much.
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I have control over every single frame on Blu-ray. If I want a scene bluer, I get that scene bluer. Originally, there was some fluctuation with the prints. If you made a thousand, or a few thousand prints, there is no control over any of that. But now I can make a master using the digital process.
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Sometimes the scene is a sad scene but you have to play it with a laugh to find out that that doesn't work or that there's really a part of that in it, and that's what rehearsal is for, to take that time.
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I have no scene, I go everywhere, I adapt.
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There was that one scene that involved three night elves, a tauren, and two bottles of molasses but that got nixed right out of the box, darn it!
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Hang there like fruit, my soul, Till the tree die!
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I expected the unexpected and went [on the Moon] with an open mind. I think the visual scene was described by my words on first landing - "magnificent desolation." Magnificent for the achievement of being there, and desolate for the eons of lifelessness.
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It's hard when you see a scene where it's raining, and we have the rain machine, and you see it for 5 minutes, but that scene takes all day to shoot, and you do it with rain, and the dry off, and go back and do it again.
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Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. And then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness.
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In books they don't have deleted scenes, like with DVDs. You could have your deleted scene in a book as well!
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I saw the industrial scene and I was affected by it. I tried to paint it all the time. I tried to paint the industrial scene as best I could. It wasn’t easy.
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I've always loved news. I've always loved storytelling and being where the scene is.
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Any time you can be with like-minded people, laughing or crying over the same joke or the same scene... For me it's therapeutic. You just feel a little less alone on the planet.
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Since I am a person who starts work without clear knowledge of a storyline, every single scene is a pivotal scene.
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None of the chase scenes that I did had any opticals. We had to do all of that physically. The first thing you have to do is see it in your mind's eye. You have to envision it. Imagine someone knitting a sweater or a scarf. They either have a pattern in front of them, or they see a pattern in their mind's eye. Then it's one stitch at a time. That's what shooting a chase is like.
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Kids at skate parks will step up and challenge me to a game of Skate, but I'm over that, I really don't care. I'm all about participating, and I'm all about being a part of this scene, but there's certain vibes I just don't get along with.
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When Scorsese shoots a violent scene, it's very uncomfortable - it's not like watching 'Rambo.'
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Sometimes writers of no talent at all can write great acting scenes. Sometimes the very best writers can't write scenes that come to life.
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Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
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Leigh Bowery was actually quoted as saying, "Flesh is my most favorite fabric." I've seen many a freak make a scene and go, but Leigh was a special kind of exhibitionist because he was dedicated and saw it as an art form.
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My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful.
