Scene Quotes
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Its always really surreal, being on a film set, but inside a beautiful, massive scene.
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As an actor, you always find your way. You have whatever preparation techniques you use, and you just go with the scene when you're on set. You can only plan so much when you're working, because things have to come naturally in the scene.
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And you can't hide in a comedy scene either. You have to give in to the scene and commit.
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They hadn't much faith in travel, nor a great belief in a change of scene as a panacea for spiritual ills; they were simply glad to be going.
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The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn't as big as it looked.
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My sex scenes with @kerrywashington are f****** hot!
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Often a performance can be judged not by a movie's strongest moment but by its weakest, especially when it's the picture's crucial scene.
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Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.
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In books they don't have deleted scenes, like with DVDs. You could have your deleted scene in a book as well!
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What impresses me is the young actors with terrific talent arriving on the scene. They'd have blown us all away in the old days. Guys like Brad Pitt.
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A scene is never completed, but simply abandoned when the search for perfection is no longer producing positive results.
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Leigh Bowery was actually quoted as saying, "Flesh is my most favorite fabric." I've seen many a freak make a scene and go, but Leigh was a special kind of exhibitionist because he was dedicated and saw it as an art form.
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When people know what you want, they can then manipulate that to achieve the end that they seek. It's far more interesting and valuable to bear witness to a scene and make good relationships without explicitly seeking something. You're more likely to obtain a far richer and honest experience that way.
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It's quite nice coming off doing a dark, upsetting scene. It's a relief that that's over with, and then you can get back to happy old Sophie.
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I saw the industrial scene and I was affected by it. I tried to paint it all the time. I tried to paint the industrial scene as best I could. It wasn’t easy.
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I shaved my hairline back and dyed my hair and wore a little powder, a little paint, a fat suit, and I changed my voice, but the emotions were consistent with what the point of the scene with Branch Rickey was.
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And there's so much extra material. I mean, I've certainly read as you asked about do I read reviews and stuff, like people are like none of the jokes in the trailers are like in the movie. And it's like and we have whole sequences and scenes that weren't in the movie.
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I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.
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It calmed me down to see that most of the time no-one gets the scene on the first take.
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I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
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There was that one scene that involved three night elves, a tauren, and two bottles of molasses but that got nixed right out of the box, darn it!
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Since I am a person who starts work without clear knowledge of a storyline, every single scene is a pivotal scene.
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The hardest scene for me is always the scene when I'm dealing with performances, when I'm actually looking at the guys and hoping that I'm covering it in the right way and that I'm handling it in the right way.
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Sometimes writers of no talent at all can write great acting scenes. Sometimes the very best writers can't write scenes that come to life.
