Scene Quotes
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When Scorsese shoots a violent scene, it's very uncomfortable - it's not like watching 'Rambo.'
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Its always really surreal, being on a film set, but inside a beautiful, massive scene.
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What impresses me is the young actors with terrific talent arriving on the scene. They'd have blown us all away in the old days. Guys like Brad Pitt.
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Hang there like fruit, my soul, Till the tree die!
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I think I got into acting because I kind of had not much else to do! I guess I was kind of looking for something challenging. I heard about the London Theater scene and it was very different from the upbringing that I had and it felt like a challenge. And the whole sort of London Theater schools, I was told that 6,000 apply and there are like 30 accepted to each one. I was like, "Yeah. Let's see if we can do that!"
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In general, I don't care for scenes of copulation.Certain functions of the human body are bloody private.
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I had never really written songs for anyone before. With [Broken] Social Scene, you're writing songs for others and your passing them around and exchanging things, but for a man who has the history that Andy Kim had, and has lived the life that he's had, you see such a youthful aspect of how he just wanted to create something again.
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I remember that I auditioned with the scene where I pull the grandfather out of the coffin. I just loved it so much.
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When people know what you want, they can then manipulate that to achieve the end that they seek. It's far more interesting and valuable to bear witness to a scene and make good relationships without explicitly seeking something. You're more likely to obtain a far richer and honest experience that way.
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And there's so much extra material. I mean, I've certainly read as you asked about do I read reviews and stuff, like people are like none of the jokes in the trailers are like in the movie. And it's like and we have whole sequences and scenes that weren't in the movie.
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And you can't hide in a comedy scene either. You have to give in to the scene and commit.
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Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.
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The self... is not an organic thing that has a specific location, whose fundamental fate is to be born, to mature, to die; it is a dramatic effect arising diffusely from a scene that is presented.
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I wasn't big in the party scene but I did have an excessive lifestyle. I had much more than I needed. I think that was a manifestation of a certain kind of mental illness.
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As an actor, you always find your way. You have whatever preparation techniques you use, and you just go with the scene when you're on set. You can only plan so much when you're working, because things have to come naturally in the scene.
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A scene is never completed, but simply abandoned when the search for perfection is no longer producing positive results.
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In books they don't have deleted scenes, like with DVDs. You could have your deleted scene in a book as well!
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My sex scenes with @kerrywashington are f****** hot!
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The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn't as big as it looked.
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They hadn't much faith in travel, nor a great belief in a change of scene as a panacea for spiritual ills; they were simply glad to be going.
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I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it.
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Since I am a person who starts work without clear knowledge of a storyline, every single scene is a pivotal scene.
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Often a performance can be judged not by a movie's strongest moment but by its weakest, especially when it's the picture's crucial scene.
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I'm so used to being behind the scenes. I didn't really want to be front and center. One of the elements of my relationships with the artists I work with is that I'm not front and center, and they are.
