Scene Quotes
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I can be busy for three years and you may not even know what I'm busy doing because you only see me in a few scenes here or there, but I've been working my tail off because there's just not a lot.
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You know how some trees have those ear mushrooms that just grow off, and you could live on one of those mushrooms and not realize that there was stacks and stacks of others? That's how I describe music scenes in New York. That's one of the trippiest things about living here - just how many parallel universes there are that you can be completely unaware of.
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Doing a scene is like opening a bottle. If it doesn't open one way, try another - perhaps even give it up for another bottle?
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I think the Cosmic Psychos were a band that was highly influential on the Seattle so called grunge scene. I know that Kurt and Nirvana were fans, they played shows with Pearl Jam. Even thou the Cosmic Psychos never had the commercial impact or success that those bands had, they were still a major influence on them, and I think a lot of it had to do with the spirit and the sound of their music.
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There's often rarely any dialogue in a sex scene. With your fellow actor, it's good to talk about what the unspoken dialogue is, that's happening in the scene. You've got to play something rather than feel self-conscious or exposed.
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I was always really into the music rather than the scene.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
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Never let your actors go before they are satisfied with a scene.
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A new chapter in a novel is something like a new scene in a play.
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Everyone's looking to the urban scene for inspiration now.
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Of course, it's always complicated to shoot a sex scene.
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As actors we always say that once the person in a scene gets what they want, the scene is over. It's resolved. But life is never resolved - you're always in the process.
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The big change was reggae and hip-hop, which came along after Split Enz had started. When Bob Marley first visited New Zealand, he lit a fuse that is still burning very brightly. The Maori people particularly honor reggae music in a very big way. So there is a strong reggae scene and a strong hip-hop scene, especially among Samoans. There's still plenty of quirky stuff around. No one expects to make much money here, so it definitely does encourage an underground sense.
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We're from Melbourne. And Melbourne has a scene where anything goes.
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If all that's going on in your scenes is what's going on in your scenes, think about it a long time.
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What I do is whatever it takes, it takes. Sometimes you see a scene right away and a take looks great so you might print that and you might print a couple more and take elements of all three. It just depends. You're looking for the highlights. You're looking for the best elements of the scene, but preferably you'd like to have one good take that would go all the way through.
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A statue in a garden is to be considered as one part of a scene or landscape.
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Gradually the live TV scene simmered out, replaced by film, and that took place in L.A. So many actors left New York.
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I hardly follow the Finnish metal scene at all at the moment. I'm more interested in traditional '80s heavy metal, and I'm still a little scared of black metal and death metal and their provocative imagery.
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This is the way I look at sex scenes: I have basically been doing them for a living for years. Trying to seduce an audience is the basis of rock 'n roll, and if I may say so, I'm pretty good at it.
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We do a lot of improvisation. There's definitely an element in the music that is well-suited to that scene.
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The roughest part is showing up. Once you throw yourself into the scene, it's just great fun to let it all go and not be self-conscious, and stop questioning whether you're sufficient.
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It was certainly a good death scene. I'm endlessly perishing in roles but it's a wonderful thing to be asked to do.
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It's hard to be natural in a scene when you pick up the phone and no one is there.
