Bands Quotes
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I've seen bands split up for five years and do nothing. That sounds great to me, but it just hasn't worked out that way.
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Two of my favorite bands, Blackberry Smoke and Black Stone Cherry, I just think both of those bands are a good new progressive kind of Southern Rock that's a little different than us but still has a rootsy thing going on.
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We do see jaws drop when the audience sees both bands, about 20 of us together on stage for the first set. We do separate sets, too but even during those, individual members of the two bands join each other. It's a cross pollination if you will. Between us we have about 50 hits and we do nearly all of them. It's just a dynamic and fun show. There's a real warmth and camaraderie between the guys in two bands when we're on stage and it's real. I'm enjoying that.
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I had gone full-on folkie; I'd had it with bands.
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The thing about bands is everybody wants to be the next Oasis, and that doesn't mean slogging it out around the toilet [gigs], it means, "Give me the check, I need to go to the Levis shop and I need a 1960s Gibson."
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It's such a weird thing nowadays, too, when people are fans of the songs and not the bands.
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I had glow in the dark bands made up and I've given away a ton of them.
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I love British bands.
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I think we are just in a tradition of bands that are not excited by super-macho guitar music. To me it goes back to the Beatles.
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Id been bumming around in bands since my school days.
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I've sung background for a couple of bands.
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It's important to tour with bands that you get along with.
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I don't worry about new young bands. The bounty of life is infinite and so is music and so are opportunities.
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There was never a choice to sing in English or French, that's the thing. We started a band and sang right away in English. You reproduce the thing you like, and most of the bands we liked were coming from England or the U.S. We also came to cherish the fact that there was no one in France singing in English -we were so happy Phoenix to be the first. Even if we are traitors to France, our country, which I'll never understand, because we talk about things that are very French.
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I can show bands how to produce themselves. In the same way, many bands think you can't make it without some fat cat in London or New York to manage you. Thats just crap. All you need is someone a bit older than you with a bit of business nous whom you trust.
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I grew up loving a lot of English bands, ... That has a huge effect on you. If I was listening to hip-hop as opposed to Morrissey when I was 13, I would probably be a very different musician. But that's what I was drawn to when I was growing up.
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I've run all the bands I've been in. A great front man needs that other person. It's not enough to have a guy with a cute face standing behind a microphone. I see it like the classic romantic relationships with men and women, where the woman lets the man think he's running it. It's a classic matriarchal trait, and that's always been part of my personality.
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Everyone was so anti-wanting to be anything else. I guess a lot of bands say that but I think, for us, that notion - combined with our musical influences - ended up making us uncategorizable.
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It breaks my heart to see these young, really talented bands getting chewed up into the system. I remember a time if you'd signed to a major label it was such a sell out! But now... unless you've signed to a big label, you're a failure now.
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I'm always forming bands.
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We[ Papa Roach ]'re always trying to get bigger and bigger. It's weird because I wasn't around when they sold millions of records. Now it's just always about "OK what new people can we get to." We're trying to package up with younger bands like Bring Me the Horizon or Of Mice and Men. Those bands always get talked about, because their demographic is so young. But, actually we are seeing a lot of younger people at shows which is awesome.
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I hate bands that hang around, like, 10 years too long - they're like the drunk at a party you can't get rid of.
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My Faith is larger than the Hills— So when the Hills decay— My Faith must take the Purple Wheel To show the Sun the way— 'Tis first He steps upon the Vane— And then — upon the Hill— And then abroad the World He go To do His Golden Will— And if His Yellow feet should miss— The Bird would not arise— The Flowers would slumber on their Stems— No Bells have Paradise— How dare I, therefore, stint a faith On which so vast depends— Lest Firmament should fail for me— The Rivet in the Bands
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I never studied anything, really. I didn't study the drums. I joined bands and made all the mistakes onstage.