Painters Quotes
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Alexander Hamilton estimated portrait painters as thieves of time.
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As in the case of painters, who have undertaken to give us a beautiful and graceful figure, which may have some slight blemishes, we do not wish then to pass over such blemishes altogether, nor yet to mark them too prominently. The one would spoil the beauty, and the other destroy the likeness of the picture.
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I've talked to a lot of artists - painters, writers, musicians - many of whom have had great ideas on trains. The only explanation I have is all that stuff is coming at you while you're relaxed, so somehow it kicks you into hyperspace in terms of brain function.
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A painter's got a canvas. The writer's got reams of empty paper. A musician has silence.
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I feel that I am much freer if I'm on my own, but I'm sure that there are a lot of painters who would perhaps be even more inventive if they had people round them... I find that if I am on my own I can allow the paint to dictate to me. So the images that I'm putting down on the canvas dictate the thing to me and it gradually builds up and comes along.
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There are painters who transform the sun to a yellow spot, but there are others who with the help of their art and their intelligence, transform a yellow spot into sun.
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The true professional makes art when he is not feeling good, if the studio is too cold or too warm or the walls are falling down. We are painters and we paint. If I were a sculptor, I'd sculpt.
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I like to compare my method with that of painters centuries ago, proceeding from layer to layer.
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Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.
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The... promptitude with which many painters, on arriving at an entirely new and unfamiliar place, settle down to work at once, never fails to astonish me: it seems indecent, like button-holing a complete stranger.
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No work which is destined to become a classic can look like the classics which have preceded it. In art, as in biology, there is heredity but no identity with the ascendants. Painters inherit characteristics acquired by their forerunners; that is why no important work of art can belong to any period but its own, to the very moment of its creation. It is necessarily dated by its own appearance. The conscious will of the painter cannot intervene.
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Painters are noted for being dissipated and wild.
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I'm very happy to hear that my work inspires writers and painters. It's the most beautiful compliment, the greatest reward. Art should always be an exchange.
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How many impressionist painters painted the same damned thing? How many actors have played the same part in renditions of a play or dancers do the same dances.
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I've always worn a hat when I work. I think it also comes from a picture of Rothko I saw with a painter's hat on.
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Painters are amongst the priests - worker priests of the cult of man - searching to understand but never know.
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Cold exactitude is not art... The so-called consciousness of the majority of painters is only perfection applied to the art of boring. People like that, if they could, would work with the same minute attention on the back of their canvas.
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I see the President almost every day. I see very plainly Abraham Lincoln's dark brown face with its deep-cut lines, the eyes always to me with a deep latent sadness in the expression. None of the artists or pictures has caught the deep, though subtle and indirect expression of this man's face. There is something else there. One of the great portrait painters of two or three centuries ago is needed.
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If painters left nothing of themselves after their deaths, so that we were obliged to rank them as we do actors according to the judgment of their contemporaries, how different their reputations would be from what posterity has made them!
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And so when studying faces, we do indeed measure them, but as painters, not as surveyors.
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Obviously, everything has always been defined by the dominant ideology. But the dominant ideology has been able to accept women's literature as well as men's literature. I would say that women have been hindered from creating for a variety of reasons, as Virginia Woolf so admirably explained in A Room of One's Own. When they have created, on the whole they have been recognized. In literature it hasn't been nearly as oppressive as in, say, painting, where even the existence of so many women painters has always been denied.
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Writers and painters have a medium that can foster self-effacements. Actors haven't. An actor can't hide himself behind paper or canvas. If you're not there your art's not there. That's why we actors are often such self-centered objects.
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..and the first thing for he artists of Die Brücke was free drawing from the free human figure in the freedom of nature.. .We drew and we painted. Hundreds of paintings a day, with talk and fooling in between, the artists joining the models before the easel and vice versa. All the encounters of everyday life were incorporated in our memories in this way. The studio became the home of the people who were being drawn; they learned from the artists and the painters from them. The picture made took on immediate and abundant life.
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One day, in the San Francisco walk, he came upon some badly painted figures and observed that good painters imitate nature but bad ones vomit it forth.
