Films Quotes
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I tried making films with messages. Now I’d rather send a text!
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Even if there are a lot women in films, there are few who are lesbians, that people know about.
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I developed a group of friends around me that were all as crazy as I was about wanting to make films.
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When I started, with films like 'The Bay Boy' and 'Stand by Me', I look back on those interviews and I'm amazed; there's no mention of my father; it's not even 'son of Donald Sutherland.' I caught a bit of a break in that it never felt like a weight to me.
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I'd love to continue my career in Hollywood - I'd love to do another action film, or a romantic comedy, or horror. I love horror films.
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I do not make films primarily for children. I make them for the child in all of us, whether we be six or sixty.
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I do films which get me out of my comedian routine so that I don't get bored being a stand-up comedian. And with films, it's here today, gone tomorrow. So stand-up comedy is here to stay for me.
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I think we have the wrong notion of commercial and intellectual or artistic film. Because all films are commercial.
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I turned down a lot of films before I made my first one. I knew that it was time for me to get into movies.
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I have been involved in some films other actresses would not have done.
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Now it would be foolish and impossible to try and prevent the manufacture of films containing Canadian snow scenes; but there is no vestige of a doubt that when exhibited overseas they have a detrimental effect of immigration . . . Everything that can be done should be done, to encourage the circulation of screen pictures that demonstrate that snow scenes and dog-trains are but a minor phase in Canadian life.
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I am the guinea pig of my films in a way. I test the stories a bit before I make them. I've never hung myself like the character in my latest film, but I've tried to be a reporter of life.
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Bottom line is, off-beat film or commercial films, Tollywood or Bollywood, it's the role that matters to me.
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To be honest, I just didn't want to say "Thank you," "Please," and "Come again" for the rest of my life. I felt like if I wanted to do this - films and TV - I didn't have the expectation that someone else would write for me. So I started writing for myself. And for the most part, I lied.
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The main problem with films is that everybody always thinks of us as a violent people. We are not. We are spiritual. And when you show someone without a sense of humor or families, which is the way you usually see Indians in movies, then they are without a spiritual base and become subhuman.
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Those are hard films to make, medieval films. Nobody will put a lot of cash into it, but it needs a lot of money because of sets and costumes and stuff. I really, really wanted to make that film just because I knew it would be a big challenge, and I also knew that I wanted to create a world that was my world and it wasn't a world based on what we all know.
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There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.
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The way that I make films is that I sit down and I think, "How much money could I get with less consequences?" And that's how I start. I'd rather have less money and total autonomy than more money and start having to answer to things, because then I'm not being true and the money men are not being true.
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I couldn't see my father's films because they were restricted and we didn't have videos or DVDs back then.
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I'm not in a situation where you get a thousand scripts. You want to make a living, you want to put your kids through school. I'd rather do three bad films that pay well than do one good film every three years that doesn't pay well. ... To me, if you can get a steady check in this business, you're doing okay.
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When you're a young actor you like to go for characters with a bit of flair, so in many films I ended up playing the weirdos. I can assure you I'm not a psycho or a criminal or a bully.
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I’m always interested in films that are about extreme subject matters.
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I hope to build a house with my films. Some of them are the cellar, some are the walls, and some are the windows. But I hope in time there will be a house.
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I left Australia when I was 18 and I've been a foreigner for 36 years. I think that's very important to the way I work because as a foreigner you see things differently. But I started making Chinese-language films so I regard myself as a Chinese filmmaker. I just happen to be white. Or pink, actually.