Neill Blomkamp Quotes
When any young director gets hired by a studio to do a $125 million film based on a preexisting piece of intellectual property, they're climbing into the meat grinder. And what you're coming out with on the other side is a generic, heavily studio-controlled pile of garbage that ends up on the side of Burger King wrappers.
Quotes to Explore
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I think what I do in my acting world and what I do in my standup world is bring up a brand that I want to bring across. Once you figure out your brand and what you do, it's kind of easy at that. You end up getting your audience.
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If you are a girl dressing up in the morning thinking about the whole world having a point of view on what you are wearing, it takes the pleasure out of getting dressed.
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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Award shows, like the Grammys, were tough on us early in hip-hop, not even televising our categories or splitting them up on best male or female or any of that. We had to earn them.
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If I like something, I will pick it up from anywhere and wear it. I don't believe that only branded stuff looks good on you. If it doesn't look good in my eyes, I'll never wear it.
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I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
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I'm a California girl. I grew up in Inglewood right by LAX.
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If I would go up on a high note, Eddie would want a low one. That's how petty the situation had become.
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I have met hundreds of young people doing just what George Romney did: using a hand up in tough times to become part of the American Dream.
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My favorite book in life is 'A Wrinkle In Time,' which I read before high school. It was my first introduction into the meeting of science and spirit and the universe and big thoughts and all of those interesting New Age-y concepts. It made everything make sense to me and opened up my mind.
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I'm a career prosecutor. I have been trained, and my experience over decades, is to make decisions after a review of the evidence and the facts. And not to jump up with grand gestures before I've done that. Some might interpret that as being cautious. I would tell you that's just responsible.
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Kids are starting at such a low base rate in terms of fitness that it's taking them years to catch up to where people like me started from. Every little bit is making it more difficult for kids to succeed on a world stage.
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Success is a high, but the way up is hard, and you have to give your all.
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No king should rule absolutely, like a dictator.
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This is my job. I just wake up, and I train.
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I've definitely, you know, been with women. And I've had great relationships with them where I was definitely in love. It's just I grew to a point where deep inside I knew that I could never truly have a relationship with a woman. I don't know if they ever suspected. It was never brought up.
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In our school, there were lots of bands putting up posters saying 'Come to our gigs'.
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We are addressing duplication and complexity. At the same time, we are investing more in research and development, speeding up the time to market of new innovations, and expanding our sales force in markets where growth is to be found, like Turkey, Russia, the Mideast, China, and southeast Asia.
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I think every national team has the same possibilities to win the World Cup.
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I can remember trying to coach, trying to figure out schemes, and it just wasn't coming to me.
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For me, it's a matter of balance. Living inside your head and experiencing real things - both are important.
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I have become so accustomed to think "scientifically" that I am afraid even to imagine that there may be something else beyond the outer covering of life. I feel like a man condemned to death, whose companions have been hanged and who has already become reconciled to the thought that the same fate awaits him.
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When any young director gets hired by a studio to do a $125 million film based on a preexisting piece of intellectual property, they're climbing into the meat grinder. And what you're coming out with on the other side is a generic, heavily studio-controlled pile of garbage that ends up on the side of Burger King wrappers.
