DeObia Oparei Quotes
I got into this thing called the National Youth Theatre, and to me, that was all about the status quo. It seemed to me like 'Downton Abbey' - all the working-class and black people were playing servants, or the gravedigger in 'Hamlet,' and the boys from Eton and posh private schools got Hamlet, all the big roles.
Quotes to Explore
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I really like 'Roar' and 'Dark Horse.' 'Dark Horse' I really like, and I feel I would sing that in the bathroom; I would buy that album, and I think Katy Perry's amazing!
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I used to get some flack from my agents because I wouldn't even audition for parts where the hero uses violent force to be a hero.
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I play Nitin Sawhney's 'Letting Go' repeatedly, nonstop. I find it transformative. I'm so glad iPods were invented so I didn't have to drive everyone around me mad with the repetition.
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How lucky are we to have Naomi Watts and Sean Penn playing us? We've seen the final cut now a couple times, and the scenes with the marriage fraying at the edges are still very difficult to watch. However, our hope was that no matter your political persuasion, you're taken with the idea that it's important to hold power in check.
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Any conception of human well-being you could plausibly have, the Taliban patently fails to maximize it.
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The first thing people say to me when they meet me is, 'You're so much skinner in person.' You have to live up to these standards that are so unrealistic. I try to tune it out.
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Any time Khaled comes to your video, it just steps it up that much more. He's so fun; people love him.
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We've got to step up our conservation efforts before it's too late. We're not protecting our lands and natural resources. Take the Grand Canyon for example; I'm sure that at one time it was a beautiful piece of land, and just look at the way we've let it go.
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A woman caring for her children; a woman striving to excel in the private sector; a woman partnering with her neighbors to make their street safer; a woman running for office to improve her country - they all have something to offer, and the more our societies empower women, the more we receive in return.
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Let the path be open to talent.
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I'm sure there are some commercial applications for Twitter, but they don't really interest me. I mean, 140 characters? I am really not interested in Ashton Kutcher's daily walks. Not for me.
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We conclude that in the field of public education the doctrine of 'separate but equal' has no place.
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Before I got into grad school, I used to work as a deck hand on these ferry boats in San Francisco, and they did day tours. It wasn't a bad job. I made decent money. But you were sitting down all day, tying up the boat, wiping it down. For some guys, that's a dream job, but for me it was kind of torture.
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I write in order to attain that feeling of tension relieved and function achieved which a cow enjoys on giving milk.
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People accuse artists of being narcissists - of course we are! If we don't like ourselves, who's going to like us?
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Complex tasks are often better handled in the back of our mind, and that's often true of creative tasks - when you have something complex to deal with in writing or research or responding to an email. I'll start working, put it aside, and sometimes I'll wake up the next morning with a solution, or I'll find one when I exercise.
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Keep your eye on the ball.
Ford Frick -
Multinationals are more sensitive to public pressure because they have bigger brand names, and they have made commitments to be environmentally sensitive. Chinese firms are not used to this kind of pressure yet.
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One should judge a man mainly from his depravities. Virtues can be faked. Depravities are real.
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For the most part fraud in the end secures for its companions repentance and shame.
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Protecting our land, our air and our water is a very important thing that we can only do together.
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It's a very performative thing, grief. As with so much in modern life, I think there's a whole performative layer to what we do because we feel like there's a private TV show viewing our lives.
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I want to carry a show, but there are not a lot of leading parts for people who are not celebrities.
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I got into this thing called the National Youth Theatre, and to me, that was all about the status quo. It seemed to me like 'Downton Abbey' - all the working-class and black people were playing servants, or the gravedigger in 'Hamlet,' and the boys from Eton and posh private schools got Hamlet, all the big roles.
