Diplo (Thomas Wesley Pentz Jr.) Quotes
New York is so serious about the creation of work. Everything is happening so fast, it feels like there's another studio, another session on every block, and I love that.
Quotes to Explore
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Let a hundred flowers bloom.
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My father insisted that I and my sisters not be indoctrinated into any religion at any age.
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I don't regret doing any of my films. All of them have been great learning experiences, and they have contributed to making me what I am today.
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I support allowing homosexuals to serve openly in our military and eliminating the 'don't ask, don't tell' policy.
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I've been disappointed by so many movie stars that I've seen, and they go out and they don't do it up, you know. And they don't - I just get so disappointed.
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I love writers. All of my best friends are writers.
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In the future, everybody is going to be a director. Somebody's got to live a real life so we have something to make a movie about.
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Pakistan is not a rogue state, but it harbours and covertly supports rogue elements. While war is not the answer, hard or coercive diplomacy could be.
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We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.
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I was about five years old when I was eating soup in our kitchen, and as I was lifting the spoon towards my mouth, it bent and broke in half.
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The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
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I technically have two last names, which is a lot of fun when you're making airline reservations.
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My normal life is like being on holiday.
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I have Dalinian thought: the one thing the world will never have enough of is the outrageous.
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People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.
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As women, we must speak out, speak up, say no to our inheritance of loss and yes to a future of women-led dialogue about women's rights and value.
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The future rewards those who press on. I don't have time to feel sorry for myself. I don't have time to complain. I'm going to press on.
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I think there's a fear of difference in American cinema.
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Many blue-collar families struggling to pay rent would be happy to skip paying optional union dues.
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I get all dressed up with that Marianne Faithfull face, and the next thing I know, I'm blurting out things that I shouldn't, trying to get attention when, really, I've got everybody's attention already.
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Serious loss brings you into one of the world's silent fraternities.
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I have this sense of humour which is about as sophisticated as a seven-year-old schoolboy. I get very overexcited and silly.
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I'm a performer.
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New York is so serious about the creation of work. Everything is happening so fast, it feels like there's another studio, another session on every block, and I love that.
