Franz Marc Quotes

I cannot get over the strange conflict between my estimation of their ideas the artists of Italian Futurism most of which I find brilliant and fruitful, and my view of the their pictures he saw on the Walden exhibition in Berlin, Spring 2012, which strike me as, without a doubt, utterly mediocre.

Franz Marc

• Doubt
• Spring
• Italian

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Quotes to Explore

• Christianity has stayed stable, as it must do. The doctrines don't change. The understanding of what it means to walk with God doesn't change. The reality of worship doesn't change, not at heart, anyway. So Christianity appears to be stuck.

  

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• The beauty of a Moroccan riad is undeniable, but even the most die-hard fan may find herself growing a little weary of what can come to feel like a one-size-fits-all aesthetic: tilework, white Berber rugs, woolen tribal throw pillows in reds and ochers, cut-metal lanterns.

  

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• I wanted to get a taste of what it would feel like to be a mum. I've always had a strong maternal instinct and ideally I would love one of my own.

  

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• I enjoy passing time in my house. I'll get up, head out on the terrace, think about what to do, fool around oiling the floorboards or hanging pictures askew.

  

  Daniel Bruhl
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• For many, the hijab represents modesty, piety and devotion to God, and I truly respect that. But the hijab should not be used as a means of applying social pressure on people.

  

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• I train for whatever happens. I'm prepared for wherever the fight goes.

  

  Paige VanZant
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• I dyed my hair pink when I was fifteen.

  

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• Labor is prior to, and independent of, capital. Capital is only the fruit of labor, and could never have existed if labor had not first existed. Labor is the superior of capital, and deserves much the higher consideration.

  

  Abraham Lincoln
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• I think that for some time now I have been living with an anxiety which has had no tangible cause. It has been like having a toothache, without the conscientious dentist having been able to find anything wrong with the tooth or with the person as a whole.

  

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• This crisis of long-term unemployment is having a profoundly damaging impact on the lives of those bearing the brunt of it. We know this thanks to a series of careful studies of the problem conducted in the depths of the 1930s Great Depression.

  

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• More than half of all the hip hop record sales are white people, and I think that might be a result of my record helping people to accept hip hop.

  

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• It's very difficult to balance different audiences and talk to each one without selling the others short. There is no universal literature - or, if there is, I don't know how to write it.

  

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• Putting people before profits is how we've tried to operate from the beginning.

  

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• Our entire brand is about transparency. We want that data out there because you know what? If you are only getting one in three messages replied to, you're normal. You're right there in the middle of everything with everyone else.

  

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• I'm living my dream right now. I get to make music, perform and travel.

  

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• I am very, very clear on how difficult it is for a young kid out there to go into the arts without taking a lot of heat from his peers.

  

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• My ultimate aim is to make euthanasia a positive experience.

  

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• When I was growing up, in the '80s and '90s, I just never really saw myself reflected in the things that I had a liking for. It makes a difference.

  

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• I think crime fiction is a great way to talk about social issues, whether 'To Kill A Mockingbird' or 'The Lovely Bones;' violence is a way to open up that information you want to get out to the reader.

  

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• I studied literature and Italian at Yale. I wrote my thesis about Italo Svevo, one of my heroes.

  

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• Metro was really a star-builder, no doubt about that. You were wrapped in cotton wool.

  

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• The doubt of an earnest, thoughtful, patient and laborious mind is worthy of respect. In such doubt may be found indeed more faith than in half the creeds.

  

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• I cannot get over the strange conflict between my estimation of their ideas the artists of Italian Futurism most of which I find brilliant and fruitful, and my view of the their pictures he saw on the Walden exhibition in Berlin, Spring 2012, which strike me as, without a doubt, utterly mediocre.

  

  Franz Marc
  • Doubt
  • Spring
  • Italian