Matt Mullenweg Quotes
Sometimes, you have to be frustrated and do something unscalable and a waste of your time to be inspired.
Quotes to Explore
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Example is the school of mankind, and they will learn at no other.
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I am obsessed with the Great Depression and with former showgirls - and the Victorians - the idea of wistful, dark romance.
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To insult someone we call him 'bestial. For deliberate cruelty and nature, 'human' might be the greater insult.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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Everybody sooner or later has to drop the luggage and the baggage of illusions.
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Every artist says that he/she wants to do something challenging, and I'm not any different. If someone approaches me with a serious role, I'll be more than happy.
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The wave of the Islamic revolution will soon reach the entire world.
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I'd like to explore the more abstract side of people's minds, as opposed to the usual sitcom stuff. I don't want to do the typical sitcom-type humor. I'd want to do stuff like go bowling with pineapples.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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As a longtime fan of talk radio, I'm very worried about the low opinion that conservative hosts and callers have of the American artist. Art is portrayed as a scam, a rip-off and snow job pushed by snobbish elites.
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I want to be so famous that drag queens will dress like me in parades when I'm dead.
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I have always loved animals and groomed friends' horses as a child. I think I may have even ridden the odd seaside donkey in my early years.
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The only way anyone's going to succeed is to build the product.
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I think it's a common misconception in the civilian community that the military community is filled with just drills and discipline and pain. They forget that these are humans who are in an abnormal situation.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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In order to lift a certain object from the ground, we have to use energy. But then to sustain it at that level, we have to keep on adding energy, or otherwise, the object falls to the ground. It's exactly the same thing with the sound.
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People appreciate when you make an effort to speak their language.
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The family farm is the foundation for who we are as a Commonwealth. And for over a century, the family farm in Kentucky has centered around one crop: tobacco.
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I've just always been interested in alter-naturalism and seeing if you can make real life interesting enough to be dramatic without enhancing it. Like, could you make a movie or write a play in which there's no compression of time, there's no enhanced event, it's just real life?
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Life has been very hard on me, but, at the same time, it has taught me a great deal.
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I often reread books I have written.
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While all Republicans acknowledge that there were mistakes made during the Bush Administration, again the continuous pointing a finger at President Bush has gotten tiresome.
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Sometimes, you have to be frustrated and do something unscalable and a waste of your time to be inspired.
