Matt Mullenweg Quotes
Sometimes, you have to be frustrated and do something unscalable and a waste of your time to be inspired.
Quotes to Explore
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Example is the school of mankind, and they will learn at no other.
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I am obsessed with the Great Depression and with former showgirls - and the Victorians - the idea of wistful, dark romance.
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To insult someone we call him 'bestial. For deliberate cruelty and nature, 'human' might be the greater insult.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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Everybody sooner or later has to drop the luggage and the baggage of illusions.
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Every artist says that he/she wants to do something challenging, and I'm not any different. If someone approaches me with a serious role, I'll be more than happy.
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The wave of the Islamic revolution will soon reach the entire world.
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I'd like to explore the more abstract side of people's minds, as opposed to the usual sitcom stuff. I don't want to do the typical sitcom-type humor. I'd want to do stuff like go bowling with pineapples.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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As a longtime fan of talk radio, I'm very worried about the low opinion that conservative hosts and callers have of the American artist. Art is portrayed as a scam, a rip-off and snow job pushed by snobbish elites.
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I want to be so famous that drag queens will dress like me in parades when I'm dead.
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I have always loved animals and groomed friends' horses as a child. I think I may have even ridden the odd seaside donkey in my early years.
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The only way anyone's going to succeed is to build the product.
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I think it's a common misconception in the civilian community that the military community is filled with just drills and discipline and pain. They forget that these are humans who are in an abnormal situation.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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In order to lift a certain object from the ground, we have to use energy. But then to sustain it at that level, we have to keep on adding energy, or otherwise, the object falls to the ground. It's exactly the same thing with the sound.
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People appreciate when you make an effort to speak their language.
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The time has long since come for truth, transparency, and talks in every sector of society, including media, advertisement and entertainment. We can challenge each other, gain understanding, and create a more just, humane, and peaceful world.
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The easiest time to cure an illness is before it is accepted as a part of the self-image.
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What is there astonishing in the death of a mortal? But we are grieved at his dying before his time. Are we sure that this was not his time? We do not know how to pick and choose what is good for our souls, or how to fix the limits of the life of man.
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I like dreams. I think there's a lot of information in them. I spent a lot of time on Jungian analysis and dreams are an elemental part of that process. Carl Jung believed very much in the power archetypes in dreams, what dream imagery means, and how you can tie it into deeper self examination. It's a big part of the therapeutic process.
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There is a general notion that playing a bubbly girl is undemanding and less challenging. But that's not the case. You need oodles of energy to bring out the spirit of a lively character. Besides, no two bubbly girls are the same. Every character I have played is different from the other. I love being chosen for such lively roles.
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Sometimes, you have to be frustrated and do something unscalable and a waste of your time to be inspired.
