Penelope Cruz Quotes
In 'Twice Born' I play my character in her 20s, 30s and 50s. For the fifty year old scenes, I had some prosthetics; it was interesting to see how I'm going to look when I'm fifty-five or so. I actually saw similarities between my grandmothers and my mother.
Quotes to Explore
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I'm trying to mix the cool, independent stuff with the big stuff, but it's been difficult finding the right roles. It's been an interesting ride as far as my career pendulum is concerned.
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If I hadn't spent many years trying to be as compassionate as Mother Teresa, as positive a thinker as W. Clement Stone, as prolific a writer as Stephen King, and as good a speaker as many of the legends I have studied, I would not be as successful as I am today.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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I think as any mother would be she was absolutely over the moon. And actually we had quite an awkward situation because I knew and I knew that William had asked my father but I didn't know if my mother knew.
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What I find so interesting about people is the choices they make, and how that effects their behavior, their sense of self and their relationships.
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When you choose your friends, don't be short-changed by choosing personality over character.
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My mother's Mohawk and my father is Scottish/German from Nova Scotia.
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I didn't watch T.V. from the time I was 18 'til my mid-30s. And then I got a T.V. to watch 'The Sopranos.' I realized, 'Oh, T.V. is really interesting.'
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I knew that I was a gay boy fairly early; what was interesting to me was that my mother didn't know. She made me play baseball - I had no desire to do that. I said, 'Mom, I don't like direct sunlight, I don't like bugs, I don't like grass, and I'd rather be in the house playing with your fabric samples.'
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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My mom was my main influence growing up, and Phylicia Rashad reminded me a lot of my mother, just the way she handled certain things, she was... not soft-spoken but smooth-spoken. Just very calm, cool, collected about things.
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Anyone can die. Rule number one is don't get too attached to a character, anyone can go.
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I think a biography is only as interesting as the lives and times it illuminates.
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As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much left for the independents.
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If a country is to be corruption free and become a nation of beautiful minds, I strongly feel there are three key societal members who can make a difference. They are the father, the mother and the teacher.
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Working from home as a mother is the worst of everything. You don't have clear boundaries. The kids can get used to you going to work; they can't get used to you ignoring them. And work sometimes gets the message you're not as committed.
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Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.
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When I wrote 'Home Safe,' I wanted to look at a number of things: the mystery and joy and pain of creativity. What happens when a vital safety net is suddenly removed. The difficulty some people have in growing up. The way a deep love can be as crippling as it is satisfying. But mostly, I wanted to look at the mother-daughter relationship.
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Sometimes I'll be flipping through the channels and I'll see a movie I'm in. And I'll probably stop and think, 'Sure, I'll watch this.'
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Didn't the other guys tell you? Nobody dunks on Manute B-O-L!
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I'm proud to be on the CBC and to see the management here represents both sides of every story. This is what's unique about the new CBC: you get a Kevin O'Leary on it when five years ago you wouldn't.
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Beauty was so heavily important in my family, something I had to contend with. All those experiences allow me to make what I'm making today. I grew up with that. There's a reason why I express that in my art. I'm trying to figure it out myself.
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In 'Twice Born' I play my character in her 20s, 30s and 50s. For the fifty year old scenes, I had some prosthetics; it was interesting to see how I'm going to look when I'm fifty-five or so. I actually saw similarities between my grandmothers and my mother.
