Frank Peretti Quotes
I try to write cinematically. Let me define what I mean by that. First of all, I try to write in a visual way so that the reader can watch a movie in their head. And it keeps moving. I try to structure the stories like a screenplay may be structured.

Quotes to Explore
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The entire time I was up shooting 'Suits,' I was running back to my trailer to help get 'Nine Circles' produced. It's a no-brainer for me to keep that part of life alive.
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My abuela was an incredible cook.
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If you look at the scientists who really make a difference, they think boldly. They're not afraid to question what they see.
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I uplift people and see the good in a bad situation. The worst is I'm very critical of myself. If I do a performance, I watch it 100 times afterwards and pick it apart.
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Istanbul is a vast place. There are very conservative neighbourhoods, there are places that are upper class, Westernised, consuming Western culture.
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The most striking development of the great depression of 1929 is a profound skepticism of the future of contemporary society among large sections of the American people.
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For me, 'Moby-Dick' is more than the greatest American novel ever written; it is a metaphysical survival manual - the best guidebook there is for a literate man or woman facing an impenetrable unknown: the future of civilization in this storm-tossed 21st century.
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The way I perceive an album to sound and the way I put out mixtapes are two different energies. There's a different focus; there's a different sound.
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Religious fundamentalists in Bangladesh have always argued for a ban on my books.
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We all know how funny Morrissey is. Actually, you know what? I say that sarcastically. His songs are some of the funniest songs I've ever heard in my life. I mean, really. I mean, not that the 'Girlfriend in a Coma' is, like, really funny.
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The loneliest, most down-on-his-luck person can have a dog who adores him. The most bitter, sour person can light up with joy when he sees his dog. It is magical and, as 'The Dog Master' reveals, it is biological - we evolved together.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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'Wicked' gave us a story that 'The Wizard of Oz' did not. Two sides to every story.
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A man has a birthright to be tired and retired. I am retired completely.
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If I had to live my life over, I'd live over a saloon.
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The world is quickly bored by the recital of misfortune, and willing avoids the sight of distress.
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I'm called a terrorist in the Arab media still today.
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Marriage is a social construct, but I still believe in it.
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Marriage is a wonderful institution, but who would want to live in an institution?
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As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.
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I like pushing boundaries.
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One of the earliest institutions in every New England community was a pair of stocks. The first public building was a meeting-house, but often before any house of God was builded, the devil got his restraining engine.
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Over the weekend the vultures got into the presidential palace by pecking through the screens on the balcony windows and the flapping of their wings stirred up the stagnant time inside, and at dawn on Monday the city awoke out of its lethargy of centuries with the warm, soft breeze of a great man dead and rotting grandeur.
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I try to write cinematically. Let me define what I mean by that. First of all, I try to write in a visual way so that the reader can watch a movie in their head. And it keeps moving. I try to structure the stories like a screenplay may be structured.