Joel Coen Quotes
When we do a movie with the studios, they wouldn't be asking us to do it, I don't think, if it was a movie they wanted to get into themselves. What you see is what you get with us, so they let us do what we want to do.
Quotes to Explore
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I do get approached occasionally, but not a ton. I'm unrecognizable because I'm coated in cat hair and sweat. And there's a sort of yeti quality to my presence... so I don't think that people can see the face.
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I'm learning as I go. I don't know everything. I never had anybody to look at, nobody ever taught me, and where I'm from I didn't have any famous role models.
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The thing that I took away as an early fan from Bob Dylan was the storytelling aspects. He can tell some wicked stories.
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I like to look at 'A Place in the Sun' every now and get inspired by it.
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My dream was to play in good films, no matter in what country. I always waited for a decent script, and nothing has changed. I'm just sure that nothing in life is random, and I believe in the fate which guides you. Probably my starring in 'A Good Day to Die Hard' is good proof of that.
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I've always been a happy-go-lucky person. I haven't got any dark tales, I didn't draw on my own past, I'm from a very normal stable background and had an amazing childhood, and I haven't got any complaints really.
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I see a lot of comments on Twitter and stuff about how ugly I am, how bad I am at the drums, how awkward I look, and I'm like, yeah, I agree with most of those things.
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I don't say: 'can't do that', 'won't do that'. I've never thought in that way about work.
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The live setting is always better for me. I usually thrive at live. I feel like having a band behind me and being able to interact with the crowd helps boost my energy up.
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The pace of Swedish crime fiction is slower - Stieg Larsson's the exception. And I think we use the environment more.
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At the risk of sounding like Virginia Woolf, I could live on £700 a year.
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Even in real life, I'd rather hang out with guys.
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Whenever I am asked about my personal relationships, I politely reply, 'No comments.'
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In fact I enjoyed every minute of my life at King's, especially the discovery of French and German literature.
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I remember watching Gilda Radner when I was a kid and everyone thought she was so funny and no one ever said that she was a funny woman, she was just funny.
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There's something extraordinary about selling millions and millions of albums.
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There must've been some part of me that wanted to make my mark. But there was never a defining moment.
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I am a bit of a Pollyanna - I spend most of my day happy.
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After my kids were born I found myself incorporating my photography into different art endeavors and from there it just blossomed. I have always had to have an outlet for my creativity and when my life became more about raising my family than the bright lights of show business exploring my photo art was a great outlet for me.
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My grandmother was a minister as well, which was not that common in the 1930s.
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The film [Django] really has a lot of ups and downs, and taps into a lot of different emotions. To me, the trick was balancing all those emotions, so that I could get you where I wanted you to be by the very end. I wanted the audience cheering in triumph at the end.
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I was bar mitzvahed at Beth Shalom, and I had trouble. I didn't quite get it all.
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Unfortunately, considering that we Latinos are really big for movie companies when they have blockbuster releases or new cable shows, when it comes to the dynamic of supporting our own product, it leaves much to be desired.
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When we do a movie with the studios, they wouldn't be asking us to do it, I don't think, if it was a movie they wanted to get into themselves. What you see is what you get with us, so they let us do what we want to do.
