John Foster Quotes
To me, Shakespeare uses the supernatural elements to reveal his character's inner desires and fears.
Quotes to Explore
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There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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I'm at the mercy of whatever character comes into my head.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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I live my life by these little church signs you see as you drive around, and there's one near me that says, 'If we really knew each other, we would neither idolise nor condemn.' And that's it: if we all knew each other, then we wouldn't treat anybody any different. And there wouldn't be any big stars, I guess.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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2016 is going to be a fight. A fight between conservatism and a Democrat Party that is undermining the very character of our nation.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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I played a character in 'Ransom' who was as evil as they come.
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I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
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Modern society has evolved to the point where we counter the old-fashioned fatalism surrounding the word 'cancer' by embracing the idea of the Uber-mind - that our will possesses nearly supernatural powers.
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I've always loved pinup art, and I've always enjoyed drawing women. I think it was a conscious decision that has resulted in me getting almost exclusive work on comics where the main character is female.
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The little world of childhood with its familiar surroundings is a model of the greater world. The more intensively the family has stamped its character upon the child, the more it will tend to feel and see its earlier miniature world again in the bigger world of adult life. Naturally this is not a conscious, intellectual process.
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Knowledge will give you power, but character respect.
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You must show him, by leaving him severely alone.
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I would walk along the quais when I had finished work or when I was trying to think something out. It was easier to think if I was walking and doing something or seeing people doing something that they understood.
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The playing adult steps sideward into another reality; the playing child advances forward to new stages of mastery.
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To me, Shakespeare uses the supernatural elements to reveal his character's inner desires and fears.
