Paul Broun Quotes
Quotes to Explore
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I'm ready to stretch my legs. I'm ready to jump in the ring.
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I've always loved working out. When I was little, my dad used to make me and my sister do 10 press-ups every day before we brushed our teeth in the morning. It was like a boot camp! Then I did a lot of athletics at school and was a dancer.
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I'm very proud to be a woman - you're part of a tribe. Automatically, you feel connected to another woman when you meet them. That's really special.
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I hope to make movies that are so small they don't need to make anything to be profitable.
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I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.
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You don't have to become Mother Teresa to make an impact in the world. But nothing can be achieved if, at the very least, we are not talking about it.
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All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
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I hope Obama gets scary in the next four years, 'cuz he ain't gotta worry about getting re-elected.
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At school, I was a tomboy, and it would be me and all my guy friends.
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I am proud to be a Sikh and am a true disciple of Guru Gobind Singh, who sacrificed his entire family for the Sikh religion.
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I don't think I could ever give up music. It's what makes me tick. If there was no music, there would be no writing.
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Leaving sex to the feminists is like letting your dog vacation at the taxidermist.
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I've done movies I'm very proud of, but there's always a sense of: 'Come see this shiny new car!' The question I hate the most is: 'Why should people see it?'
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I have never made a game that wasn't explicitly about empowering players to tell their own story.
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As an actor, I have casting issues. I'm a minority. I don't have trouble making a living, but as far as being on the food chain of the pecking order of actors, I'm not at the top of it. With the jobs that I do, there are always control issues with directors and producers.
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I just love music, and I absorbed what I love.
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When you catch other people with a sound like yours, that's when you know you did something.
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Look at London or Paris: they're both filthy. You don't get that in Tokyo. The proud residents look after their city.
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You can work and scratch out a living in the theatre, but, if you want to make money, you've got to hit the road. You've got to play big houses of 2, 3 thousand seaters with your name above the bill, do popular fare and reach out to the audience such as it is.
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I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.
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Given the chance, people will buy from people who care.
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I appeal to people all across the political spectrum.
