Josh Gondelman Quotes
I like comedy that's very specific and isn't afraid to lose people through its specificity.
Quotes to Explore
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I am trying to do comedy on every single medium. I consider myself a public servant.
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It's the comedy that guides me. The acting and all that stuff comes second. It's equally important, but I just try to do that as best as I can.
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'The Bill Engvall Show' is a comedy about a middle-class family in the Midwest. It's a great family show to watch if you want to laugh and unwind.
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I had envisioned doing comedy since childhood. For sure.
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I'm a comedian who happens to be Latino. What's the difference? The difference is, my special will air on Comedy Central, not Telemundo.
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I really enjoy laughing at work, and I find that it's easier to do that when you're shooting a comedy.
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I'll tell you one thing... no doubt about it, my favorite kind of comedy is talking head comedy. I mean, if it were up to me, I'd do a whole entire movie that was just around a dinner table.
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I didn't want to do comedy again. It is way harder when you are doing comedy. You can't just concentrate on the character and the plot. In comedy, the writers, instead of obsessing about character and plot, obsess about the jokes.
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I decided I would go to NYU so I could get into the comedy world and have legit housing, and my parents would not have trusted investing in a straight-up comedy career.
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I don't really know how to act that much. I'm quite good at comedy, but it's mostly acting naturally.
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The book is called 'Thanks for Nothing' and it's really the story of how I got into comedy and traces back every strand in my life that is relevant to that story. It's kind of an autobiography but isn't, as it stops about 25 years ago. It goes right up to the first time I do stand up.
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I was very serene, and I still am, until I start talking in another voice, then suddenly I have a lot of volume and I'm frantic. But I didn't want to be one of those people who's always talking in accents in real life, so I started doing sketch comedy.
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Real comedy doesn't just make people laugh and think, but makes them laugh and change.
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I'm not afraid of problem-solving. There is always a way.
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I think comedy's harder to pull off on the screen than on the stage, anyway. Tragedy is easier on the screen... oddly enough.
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My idea as far as comedy goes has always been to push the limits of what's acceptable for a woman to do or say or be. My hero in that would be Lenny Bruce, who teaches us that words have no meaning. It's the intent behind them that is what's important.
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It's always been a dream of mine to be in a Woody Allen comedy.
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A lot of actors are like, 'Why do I do this? My character wouldn't do this? This doesn't make sense.' And in a comedy, you kind of just need to walk into the door.
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The issue is: how do you engage the audience? And one of the things I talk to our communicators about is: The outline is great; the stories are great. But how do you engage them? How do you make it feel like we are on a journey, not you are just up there giving me information.
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City Year resonated with me because when I grew up, we were poor - and an education is a way out of poverty. It's a way out of the current situation that can seem isolating and hopeless for some kids.
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I don't want anyone to ever feel they are alone and no one likes them, or to feel as insecure as I did.
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When I started watching matches, it was those of Marseille. After that, it was Lyon. I went to see them all the time in the league or the Champions League with my dad.
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I've always been incapable of accepting fate, and I've always refused to die, and that has helped me to survive.
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I like comedy that's very specific and isn't afraid to lose people through its specificity.
