Harry Shearer Quotes
You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
Quotes to Explore
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The important thing is having genuine regard for your audience.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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The film depends on the audience's belief in this relationship.
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When your life is as precious as all our lives are, then it needs to be kept precious and looked after and treated well. And that is not something we should be sharing with a wider audience.
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In the 30 years of my career, I have explored all possible mediums, except radio.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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Anytime you get an audience that's paying attention, you enjoy it more.
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It shows 'us vs. them', and I'm on the 'us' side.
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Interestingly, it is often the younger members of the audience who ask the most sophisticated questions.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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I have a genuine love affair with my audience. When I'm on stage they're not privileged to see me. It's a privilege for me to see them.
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Every poll shows that most journalists are Democrats.
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Writers since at least the heyday of Gore Vidal have bemoaned their audience's defection to other forms of entertainment.
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I think in the industry we're in and the type of audience we have, we're never going to escape the idea of being young. Which I don't mind myself. I mean, who wants to grow up anyway? I don't want to grow up.
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I am a real ham. I love an audience. I work better with an audience. I am dead, in fact, without one.
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Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.
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The big bulk of the response to antidepressants is the placebo response.
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I feel like math and writing are the same thing. You're putting together a lot of complex things to satisfy different requirements. It's got to be aesthetically pleasing; it's got to have subtext; it's got to convey information.
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I knew that Sylvester Stallone's involvement would outweigh everything else from the film. I think people went into Creed expecting a boxing movie and something that superficially ties Stallone in, but Creed was really well written.
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You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
