Stephen Carter Quotes
Even in 2012, if there's a black character in the movies or on television that's a professional, if we even hear about their backgrounds they're always 'up from the streets.
Quotes to Explore
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I feel that there has been progress made since I was a boy on matters of race, but we have a long way to go.
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Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
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I came from Yale, where you get an extracurricular degree in self-importance because you went there. When AIDS happened, I was treated like an outcast. And I don't like that feeling.
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I'm proposing a change: love thy worker-bee. Celebrate the ones who toil without complaint, play on a team, construct the hive, produce the honey... executing the plan!
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None of our series are ever static in terms of the dates. We always have a range of flexibility to respond to whatever may or may not happen.
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Whatever I think the song sounds like is what I'll name it. It's a feeling thing; it's not logical at all.
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One thing I love to do when I'm working out is take my watch off, take my heart strap off, and just run - not for time, not for exertion, but just to get the blood flowing.
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The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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A man has no more character than he can command in a time of crisis.
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Since every man desires happiness, it is evidently no small matter whether he conceives of happiness in terms of work or of enjoyment.
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The more faithfully you listen to the voices within you, the better you will hear what is sounding outside.
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'Great Expectations' has become one of my favorite books.
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Most of the fans of John Lennon and maybe John and Yoko are younger than me.
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For those of us who spent our careers competing with David Broder, the hardest thing to abide was the inevitable comparison. If someone said Jack Germond - or Jules Witcover or Walter Mears or whoever - 'is a pretty good political reporter,' the default response would be, 'but he's no David Broder.'
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The male corporate model is built on a man's greater willingness to be a slave of sorts - especially once he has to provide for children.
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I live in Soho in lower New York; there's tons and tons of tourists right outside my door step, obviously. Most of them are European, and all of them have guidebooks. I never see anyone looking at a phone.
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I desperately want a dog, but I've been told I travel too much, and I'm not allowed to have a dog.
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I guess I just feel bad that I'm still going on bad dates when I should really be in a bad marriage by now.
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No one actually knows how popular you are or how people think of you until and unless a few of the people who like your work walk up to you and let you know that you are really good. You can see the honesty in their eyes.
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You know, I think that people give you back what you gave them. I try to be... as I am.
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Privacy is important to me. But it's not just about sticking two fingers up and saying I don't want anyone to know my business. It's an artistic choice. I think that for any actor to convince their audience that they have completely inhabited a character requires a certain level of anonymity.
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And you who sought for magic in your youth but desire it not in your age, know that there is a blindness of spirit which comes from age, more black than the blindness of eye, making a darkness about you across which nothing may be seen, or felt, or known, or in any way apprehended.
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Even in 2012, if there's a black character in the movies or on television that's a professional, if we even hear about their backgrounds they're always 'up from the streets.
