Steven Soderbergh (Steven Andrew Soderbergh) Quotes
Quotes to Explore
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I don't want the news to be patriotic. I don't want to see flags on the lapels of the anchors. I don't want any of that.
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Between two groups of people who want to make inconsistent kinds of worlds, I see no remedy but force.
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I have always believed in dialogue and in nonviolence, and if you look at my background you will see that it has always been my policy to talk to everyone.
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I just see religious freedom, as a category, as just being a black hole.
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I could see that, if not actually disgruntled, he was far from being gruntled.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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I'll see a celadon green room in an 18th century New Hampshire house and just fall in love. Colors stay in my head.
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Tact is the ability to describe others as they see themselves.
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I see it as a responsibility of mine to teach others.
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I'm over the hill, maybe even the whole mountain range, but I don't see it that way even one little bit.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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I'd like to see one person - just one - who would own up to having been a coward.
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You see, the poverty program for the last five years have been buy-off programs.
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I see girls who are so skinny on the catwalks, and I know so many of them destroy their lives and their family's lives.
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Someone asked me the other day what it feels like to see all my 'old stuff' reappearing, at long last, in digital. And I had to smile because to me it doesn't feel like 'old stuff.'
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In the history of photography, we have many masterpieces in terms of black and white books. You have Bresson's 'Decisive Moment,' Frank's 'The Americans'... many masterpieces. But there is nothing to this caliber in color. Well, I think I'll waltz with my muse and hope that I might be able to produce something on this order in color.
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In order to be discipled by others a person must have a trusting heart, one that listens even when it doesn't fully comprehend or see the end result.
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I get really scared about how the Internet is shifting and changing everyone's minds, and the way we see ourselves and interact online. Everything is so diluted now.
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Today, I am no longer concerned with photography as an art form. I believe it is potentially the best medium for explaining man to himself and his fellow man.
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Photography is the very conscience of painting. It constantly reminds the later of what it must not do.
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I've been to the Empire State Building with four friends, and it was very beautiful at that time around midnight.
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My problem is to bring together in a painting two seemingly conflicting, impossibly unmixable ideas. One is that the finished work shall evoke a sense of recognition, of the mysteriously familiar... the other is that in order to do the first I must deeply know my subject.
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My brother's really well-spoken.
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Maybe I'll paint, do photography, just something else. I can see that.
