Ian Bogost Quotes
Play isn't you being clever, or finding a trick, or finding a way of covering over your own misery, or persuading someone to do what you want. It's the process of working with the materials that you find and discovering what's possible with them.
Quotes to Explore
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I'm not coming back to play.
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I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
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You put anyone in the outfit, and they look like Gandalf. Not that clever.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I prefer to be in a video than to play with it.
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I had the taste of the alcohol since I was 11. It allowed me to be clever, charming and to behave outrageously. Acting also allowed me not to be me. So I could indulge every fantasy in this paradise of America.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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Oh my goodness me, Daniel Day-Lewis – huge, huge fan of his. I've always loved his philosophy on acting: he always talks about returning to a state of play.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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I would love to play a regular guy in a family drama.
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I have a huge promotion: you've heard from me on 'Vantage Point' and also with 'Cyrano Fernandez' – that is a Venezuelan movie that I star in and co-produced, and it's based on the romance of Cyrano de Bergerac. And it's set in a Venezuelan slum. It's a free version of the French play.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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I've always refused to play terrorists.
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If I could read it, I could play it.
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I know no place at which an Englishman may drop down suddenly among a pleasanter circle of acquaintance, or find himself with a more clever set of men, than he can do at Boston.
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I like to put a stake in people, because I know people helped me.
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A councilor ought not to sleep the whole night through, a man to whom the populace is entrusted, and who has many responsibilities.
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Play isn't you being clever, or finding a trick, or finding a way of covering over your own misery, or persuading someone to do what you want. It's the process of working with the materials that you find and discovering what's possible with them.
