Fabolous Quotes
Quotes to Explore
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I am doing what I love; acting is what I love best after being a mother.
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I think people can tell when you're pandering to them, and they feel insulted. I think that one thing that is really nice about the work that I do is that I can just sort of make mistakes or try out different ideas or be inconsistent and be vulnerable.
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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I have always had a sense of curiosity and aspiration.
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Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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People make the mistake of thinking they've got to perform just because someone has said something about their potential.
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I make money using my brains and lose money listening to my heart. But in the long run my books balance pretty well.
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A good catchword can obscure analysis for fifty years.
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As an actor, you don't want to play a one-dimensional character.
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Today we are engaged in a deadly global struggle for those who would intimidate, torture, and murder people for exercising the most basic freedoms. If we are to win this struggle and spread those freedoms, we must keep our own moral compass pointed in a true direction.
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The mere fact that so many continue to rise, year after year, out of just such conditions as you may think are fatal to your advancement, ought to convince you that you also can conquer your environment.
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Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
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We really love to learn and explore things.
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I think one reason my books have found mainstream success is that they're written from a skeptical point of view.
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I've witnessed so many meetings and conferences where people are trying to figure out what young people think, and my feeling has consistently been that you should just ask them.
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I always wanted to be the person to whom people looked forward to give opportunities. As opposed to always being the person who wants to work with others and who is always the backup: where it's like, 'If nothing works out then OK, let's get this person.'
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You can't heal what you don't acknowledge.
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When I'd go to Israel, I felt like a tourist. My social and professional ties had started to dissolve, and it confused me. I didn't know whether I should stay here in Paris or go back to Israel, or even cut off all my ties with Israel so I could really plant roots here. Or maybe go somewhere else altogether.
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The colour of my soul is iron-grey and sad bats wheel about the steeple of my dreams.
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Me, I still believe in paradise. But now at least I know its not some place you can look for because its not where you go. It’s how you feel for a moment in your life when you’re a part of something and if you find that moment, it lasts forever.
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The first time I ever saw him play, Tre Cool was wearing a tutu and an old-womans swimming cap.
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If the first plan which you adopt does not work successfully, replace it with a new plan; if this new plan fails to work, replace it in turn with still another, and so on, until you find a plan which does work. Right here is the point at which the majority of men meet with failure, because of their lack of persistence in creating new plans to take the place of those which fail.
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You can spend your time Dreaming about Living or Living your Dream
