Fabolous Quotes
Quotes to Explore
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I am doing what I love; acting is what I love best after being a mother.
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I think people can tell when you're pandering to them, and they feel insulted. I think that one thing that is really nice about the work that I do is that I can just sort of make mistakes or try out different ideas or be inconsistent and be vulnerable.
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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I have always had a sense of curiosity and aspiration.
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Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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I make money using my brains and lose money listening to my heart. But in the long run my books balance pretty well.
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A good catchword can obscure analysis for fifty years.
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As an actor, you don't want to play a one-dimensional character.
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Today we are engaged in a deadly global struggle for those who would intimidate, torture, and murder people for exercising the most basic freedoms. If we are to win this struggle and spread those freedoms, we must keep our own moral compass pointed in a true direction.
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The mere fact that so many continue to rise, year after year, out of just such conditions as you may think are fatal to your advancement, ought to convince you that you also can conquer your environment.
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Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
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We really love to learn and explore things.
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I think one reason my books have found mainstream success is that they're written from a skeptical point of view.
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I've witnessed so many meetings and conferences where people are trying to figure out what young people think, and my feeling has consistently been that you should just ask them.
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I always wanted to be the person to whom people looked forward to give opportunities. As opposed to always being the person who wants to work with others and who is always the backup: where it's like, 'If nothing works out then OK, let's get this person.'
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You can't heal what you don't acknowledge.
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When I'd go to Israel, I felt like a tourist. My social and professional ties had started to dissolve, and it confused me. I didn't know whether I should stay here in Paris or go back to Israel, or even cut off all my ties with Israel so I could really plant roots here. Or maybe go somewhere else altogether.
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Random House is definitely invested in keeping libraries healthy.
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I want to make some happy music.
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I launched 'Lightspeed' magazine in 2010, and from day one, we've had a strict mission to try to have gender parity in the magazine because that was the first hurdle that science fiction and fantasy have been dealing with for a long time.
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I enjoy my fun time and everything like that but I love what I do.
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I still dream about that one opportunity where the Welsh Rugby Union call me up and say, 'We need you.' There is an incredibly talented Welsh hooker called Matthew Rees, so maybe some incredible quirk of misfortune for him would mean I get called up instead.
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You can spend your time Dreaming about Living or Living your Dream
