Michel Foucault Quotes
Death left its old tragic heaven and became the lyrical core of man: his invisible truth, his visible secret.
Quotes to Explore
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As a very young girl, I understood that the interior activities of the home are as significant as the exterior activities of society.
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I think that our civilisation is very much a visual civilisation - television and videos and all this.
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I'm no good with chords. I'm horrible with chords.
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Fighters today are much bigger, stronger and quicker and not only that but referees, judges and doctors back then were very strict and if your head got busted up the fight would be stopped.
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When you're bad in the NBA, you're in the lottery. When you're great in college, you get multiple lottery picks.
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Law enforcement officers are never 'off duty.' They are dedicated public servants who are sworn to protect public safety at any time and place that the peace is threatened. They need all the help that they can get.
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I sat down and wrote, 'Are your emotions pure? Are they the stuff of heroes or the alloyed mess of the beaten? How do you stand in relation to the potato?' And it was a lot of fun, and I kept going and woke up at some point in some horror that I had about 142 pages of this.
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My golf swing is probably the most horrendous you've ever seen. I look like I'm trying to attack the ball.
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Controversies are part and parcel of making a big film.
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Luckily, there is a wind of change happening in Hindi cinema. Good work is coming to people who are not conventionally good looking like Ranbir Kapoor or Akshay Kumar.
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All these actors who died before I was born, all the theaters and the artistic movements - all that stuff fills you up and makes you feel like you're the inheritor of all this information and of all its passion.
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People aren't buying records like they used to, so it's nice to try to figure out a way to make them do it. I would enjoy the same thing to own an old movie house, to try to trick people to come in - like having 3-D or Smell-o-Vision or Vibra-Vision or something. Mcguffins to get people interested.
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I would like to find, or I would like a part to come to me that is like the part that Dennis Franz was fortunate to be able to play on 'NYPD Blue,' a sort of similar-looking actor to me, a generic, bald white guy who you would often think of as playing the authority figure. But he was the disgruntled middle-man. That would be a fun character.
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What I am teaching is religiousness, a quality. Religion is a dead dogma, fixed principles, frozen fossils. What I am teaching to you is a living, flowing religiousness - an experience like love.
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Today it is not big business that we have to fear. It is big government.
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Between the conceptionAnd the creationBetween the emotionAnd the responseFalls the Shadow
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Sickness, doctors, that scares me, not violence - helplessness. That's why I turn to violent stories.
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Of all the events which constitute a person's biography, there is scarcely one - none, certainly, of anything like a similar importance - to which the world so easily reconciles itself as to his death.
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However energetically society in general may strive to make all the citizens equal and alike, the personal pride of each individual will always make him try to escape from the common level, and he will form some inequality somewhere to his own profit.
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I'm not into bands for the sake of being into bands. I've grown past that. There was a time in my life when I was that guy.
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Citizenship is the chance to make a difference to the place where you belong.
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I remember going to the university film club to see 'The Life And Death Of Colonel Blimp' one night and being bowled over. It was one of the most beautiful films I'd ever seen. And it felt so personal.
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It has always seemed to me that the only painless death must be that which takes the intelligence by violent surprise and from the rear so to speak since if death be anything at all beyond a brief and peculiar emotional state of the bereaved it must be a brief and likewise peculiar state of the subject as well and if aught can be more painful to any intelligence above that of a child or an idiot than a slow and gradual confronting with that which over a long period of bewilderment and dread it has been taught to regard as an irrevocable and unplumbable finality, I do not know it.
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Death left its old tragic heaven and became the lyrical core of man: his invisible truth, his visible secret.
