Aaron Ashmore Quotes
Sometimes when it comes to the iconic kind of moments, when I read the script for the first time, you get little goose bumps or something because it really is kind of exciting.
Quotes to Explore
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I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
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The blush is beautiful, but it is sometimes convenient.
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I am kind of the front man for a team of people behind the scenes who are working just as hard as me and are putting in just as much time to make this all happen. I'm not trying to be humble. I just want everyone to get credit where credit is due.
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This is how it has been since time began: If you want to make something really worthwhile and true, then you have to suffer for it.
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I second-guess myself all the time. I make a decision and then wonder if I made the wrong choice.
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If you don't feel like you're ready to get your license - just because people are putting pressure on you, don't feel like you have to rush into something. Take your time, really feel confident and be ready. It doesn't matter what other people say, do what's best for you and makes you feel safe.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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I think I've paid my dues. I've really put in a lot of time on set.
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Any time you make more than a couple of friends at an event, I think that you actually made no friends.
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Music is the best means we have of digesting time.
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My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
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Lake Wobegon, the little town that time forgot and the decades cannot improve.
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I was in chains all the time, 24 hours a day, for three years. I tried to wear those chains with dignity, even if I felt that it was unbearable.
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My films are about ideals that clash with the world. Every time it's a man in the lead, they have forgotten about the ideals. And every time it's a woman in the lead, they take the ideals all the way.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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If you attempt certain things at the right time, they are easy to accomplish - in fact, they almost get done by themselves. If you undertake them before the time is right, not only will they fail, but they will often become impossible to accomplish even when the time would have been right.
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But sadly, one of the problems with being on public radio is that people tend to think you're being sincere all the time.
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Quakers almost as good as colored. They call themselves friends and you can trust them every time.
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As I grew older, I actually was prepared to go into fine arts school and do a degree. That was what I was actually settled upon when I was offered a record deal.
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I wasn't some weird loner in school, but I definitely wasn't invited to any of the cool parties.
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What we really need to be understanding is that all of these things matter and they all stem from the fact that certain people live with power and authority and they want to maintain it.
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Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were.
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Wooden was the coach for the UCLA Bruins, arguably the greatest sports coach we ever had.
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Sometimes when it comes to the iconic kind of moments, when I read the script for the first time, you get little goose bumps or something because it really is kind of exciting.
