Raymond Carver Quotes
If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life.
Quotes to Explore
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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A story never looks as good as when the other fellow buys it.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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Will and intellect are one and the same thing.
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I never want to write a book just to tell a story. There is always something deeper going on.
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The test of character is having the ability to meet challenges.
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When you choose your friends, don't be short-changed by choosing personality over character.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
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What happens with every role, you have to trick yourself, you have to creatively find ways to explore the mental state of your character.
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In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings.
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What drew me to the character is that Roberto Duran is the son of an American soldier - a Marine - stationed in Panama and a humble Panamanian mother, and he was abandoned.
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I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
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I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.
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Only men of character are trusted.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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When I endeavour to examine my own conduct, when I endeavour to pass sentence upon it, and either to approve or condemn it, it is evident that, in all such cases, I divide myself, as it were, into two persons; and that I, the examiner and judge, represent a different character from that other I, the person whose conduct is examined into and judged of.
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Your regrets aren't what you did, but what you didn't do. So I take every opportunity.
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There are philosophical issues involved in that about choosing the right discount rate, the value, the future, and things like that which drive it. But its start with the premise that global warming is real and if you're a denier of that fact, then you're not going to find climate change mitigation policies to have particular appeal.
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Women basically want the same thing - a good passionate story, a great fantasy - and for our partners to do the laundry and the washing up.
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I'm working class. Not because my family have always been skint or because I'm from the grim north, but because I am from a class of people who believe in work. In paying their way.
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If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life.
