Benjamin Alire Saenz Quotes
It's a complex thing when you're writing a novel, because so much of it is conscious and planned and deliberate, and so much of it is not, and it has to be a dance between the conscious and the unconscious. I bring my best instincts to my work. For instance - and I come by this naturally, or I think I do - I am a very good judge of character.
Quotes to Explore
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Of course I get angry, but I want to use my brain a little bit and not just smash things.
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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
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I know what it's like not to have food in the fridge or money to buy more.
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R. Kelly is a thing on TV, but nobody knows Robert and what he's been through.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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I had admired Richard Burton for years and years before I had ever worked with him. He was a great, great actor. It was a joy to get to know him as a person.
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One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.
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No writer of a portion of the Bible was perfect. It was the direct and miraculous operation of the Holy Spirit that what they wrote is without mistake.
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My mom has every issue of 'Billboard' I've ever been in.
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The whole point of having great characters is the opportunity to explore them more deeply with time, re-interpreting them for each new age.
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I didn't like the idea of changing myself for the industry. I felt to have my teeth straightened and bleached and to starve myself to change my body was not respecting who I was.
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For me, baseball is the most nourishing game outside of literature. They both are re-tellings of human experience.
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When you think of Hollywood, you think of the land of opportunity. I always want to have the opportunity to do things conducive to my career.
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Love is made by two people, in different kinds of solitude. It can be in a crowd, but in an oblivious crowd.
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Fashion is about dreaming and making other people dream.
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I actually am very hands-off on my face. I like to use oil to take everything off, and then I cleanse after.
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I love eating shabu-shabu in Japan - a kind of beef hotpot. But if you're talking about authentic, traditional food, then Italian cooking is one of the best in the world.
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The devadasis have a multilayered story, a story in which poverty, deprivation and injustice against women is central - but what has happened to them is absolutely an outcome of imperialism and the impact of British rule in India.
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My favourite poem is called 'Roots and Wings' - it's a very moving poem about how if you've got real roots you can fly.
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I'm quite good at not writing.
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I don't think I'd ever start making a film until I had both the intimacy with the subject and the distance to make it live in a certain way.
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When I told my mother that I wanted to be an actress, she said, you can't live here and do that, and so I moved out. I was determined to prove her wrong because she was so sure that I was going to go astray. And that's the juice that kept me going.
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Weak and oppressed nations are fundamentally spiritual; strong nations are, as a rule, chiefly materialistic.
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It's a complex thing when you're writing a novel, because so much of it is conscious and planned and deliberate, and so much of it is not, and it has to be a dance between the conscious and the unconscious. I bring my best instincts to my work. For instance - and I come by this naturally, or I think I do - I am a very good judge of character.
