Bob Wickman Quotes
Quotes to Explore
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I'm not coming back to play.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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Anyone can be a father, but it takes someone special to be a dad, and that's why I call you dad, because you are so special to me. You taught me the game and you taught me how to play it right.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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Oh my goodness me, Daniel Day-Lewis – huge, huge fan of his. I've always loved his philosophy on acting: he always talks about returning to a state of play.
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I don't do method acting. If I play a farmer, I'm not gonna spend 3 weeks on a chicken farm. That's a bit too much for me.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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He was so honest you could play craps with him over the phone.
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The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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Children play soldier. That makes sense. But why do soldiers play children?
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If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.
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Everybody has a role or part to play; if somebody fits the bill, that is what matters.
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Only in a novel are all things given full play.
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I play a Fender Jazzmaster and three stacks and a combo, two old Marshall Plexis and a Hiwatt combo and a Hiwatt combo with Marshall cabs.
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A soulmate is someone whom, when you meet, without thinking - without letting your neocortex play into the decision - you feel an instant familiarity, a sense of connection, a longing.
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I play a nobody in Japan.
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I have realized that intensity is my unique point. I don't have to attempt it; it's innate. So, when every actor is seeking his individuality, I guess I have already found mine.
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If you really want a true confrontation, you treat your opponent with respect.
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Artists, whether they're classical musicians or pop musicians, they have always been the reflection of society, and in many ways a healing part of whatever is wrong in society, and I think it's important for us to continue to do that, and I don't see enough of it today.
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If I stink, I'm not going to play just to collect a paycheck.
