MF DOOM (Daniel Dumile) Quotes
A visual always brings a first impression. But if there's going to be a first impression, I might as well use it to control the story. So why not do something like throw a mask on?

Quotes to Explore
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In my career, I'm always trying to do something different.
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Nature can always be more complicated than we imagine.
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The genuine priest always feels something higher than compassion.
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For some reason, when I get to the 200m, I'm always a little bit nervous.
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I've always been a huge reggae fan.
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I always say the greats just get better.
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My hands were constantly blistered or bloody; my ears were always ringing. I tore through drumheads and drumsticks like there was no tomorrow.
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You don't need money to be free. You can just say if you don't need stuff, you're always free.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
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I've always wanted to be able to hold my breath for like, ever, and swim in the water like a fish.
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I have always looked at my competencies before accepting any responsibility.
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We always make music and continue to make hits.
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Success didn't spoil me, I've always been insufferable.
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If I were to say at any point that I feel really confident or really in control, that would be a mistake. Because I don't. I always see where I didn't do things the right way.
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I've always thought George Carlin was brilliant.
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If you have a setback, and you're not doing well and then you overcome it somehow, it always sticks with you. You know it could happen again.
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For revolutionary Cubans, to cooperate with other poor and exploited peoples has always been a political principle and a duty towards humanity.
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I've always ignored the labels people put on things.
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I'm not always happy, I promise. I can be serious.
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Always strive to excel, but only on weekends.
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It is good, it is better to be voted by the players - they know everything about football.
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I don't particularly like the idea that there's an arc to the story and that therefore in this scene you have to convey this bit of information or emotion. I like more the feeling that, of course, there is a shape to the story, but that each scene should feel right, should be true at that moment, and that gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that's interesting.
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A visual always brings a first impression. But if there's going to be a first impression, I might as well use it to control the story. So why not do something like throw a mask on?